Elizabeth Winkler, a journalist and critic, discusses her book “Shakespeare Was a Woman and Other Heresies,” which tackles the contentious Shakespeare authorship question. She delves into the fierce reactions it prompts within literary circles and examines the debate over whether Edward de Vere, the Earl of Oxford, might be the true author. Winkler also highlights the complexities of society's views on playwriting in the 16th century and the intriguing connections between authorship, gender dynamics, and the emotional stakes surrounding Shakespeare's legacy.
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insights INSIGHT
Shakespeare Authorship Taboo
The Shakespeare authorship question is largely forbidden in academic circles, seen as heresy among scholars.
Several prominent writers have historically doubted Shakespeare's authorship, hinting at hidden authorship.
insights INSIGHT
Lack of Literary Evidence
Extensive records show Shakespeare was a businessman and actor, but none indicate a literary life.
There is no mention of plays or poems in his will, raising questions about traditional authorship claims.
insights INSIGHT
Skepticism Forbidden on Shakespeare
Skepticism is prized in scholarship but is treated as a form of heresy when applied to Shakespeare's authorship.
Defending the belief in Shakespeare as author often requires implausible assumptions or acceptance of "miracles."
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This book is not a traditional biography of Sylvia Plath but rather an exploration of the genre of biography itself. Janet Malcolm delves into the complex relationship between Sylvia Plath and Ted Hughes, as well as the interactions between biographers and their subjects. She examines the moral and personal choices behind biographical writing, highlighting the conflicts and ethical dilemmas faced by those who write about the lives of others. The book also critiques the role of Olwyn Hughes, Ted's sister, in controlling the narrative of Plath's life and works. Malcolm's work is characterized by its candid and insightful analysis of the biographical process and its inherent flaws[2][3][4].
“Among Shakespeare scholars,” journalist Elizabeth Winkler writes at the beginning of “Shakespeare Was a Woman and Other Heresies,” “the Shakespeare authorship question—the theory that William Shakespeare might not have written the works published under his name—does not exist; that is, it is not permitted. As a consequence, it has become the most horrible, vexed, unspeakable subject in the history of English literature. In literary circles, even the phrase ‘Shakespeare authorship question’ elicits contempt—eye-rolling, name-calling, mudslinging. If you raise it casually in a social setting, someone might chastise you as though you’ve uttered a deeply offensive profanity. Someone else might get up and leave the room. Tears may be shed. A whip may be produced. You will be punished, which is to say, educated. Because it is obscene to suggest that the god of English literature might be a false god.”
This week on the podcast, Lewis H. Lapham speaks with Elizabeth Winkler, author of “Shakespeare Was a Woman and Other Heresies,” about the history of the authorship question and the writers and scholars who have clashed over doubting the Bard.
Thanks to our generous donors. Lead support for this podcast has been provided by Elizabeth “Lisette” Prince. Additional support was provided by James J. “Jimmy” Coleman Jr.