#221: Eimear McBride, novelist

7 snips

Sep 16, 2025

Eimear McBride, a celebrated novelist known for her award-winning debut, A Girl Is a Half-formed Thing, shares insights on her writing journey. She discusses the evolution of her characters Eileen and Stephen, and her unique approach to crafting intimate scenes, emphasizing specificity over clichés. McBride reflects on her experiences in acting, her disciplined writing routine, and the long road to publishing. She challenges expectations of women writers and critiques the notion that they should draw from personal experience, asserting the value of imaginative fiction.

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ANECDOTE

Lost Notebook, Found Beginning

Eimear lost a notebook of novel notes when her house was burgled before a writing residency in Japan.
With limited time and money she forced herself to write 1,000 words a day and discovered the opening of Girl is a Half-Formed Thing.

ADVICE

Write Daily And Edit Immediately

Write daily and ruthlessly edit as you go: McBride wrote 1,000 words a day then cut most of it the next morning.
Trust the language to bring character and story rather than forcing plot outlines.

INSIGHT

Language As A Physical Experience

McBride aimed to make readers experience language through a physical, visceral organ rather than intellect.
Rhythm and musicality in prose can carry readers through difficult subject matter and syntax.

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Rachel and Simon speak with the novelist Eimear McBride. Born in Liverpool to Irish parents, Eimear studied acting before pursuing writing. Her debut novel, "A Girl is a Half-formed Thing", was published in 2013 after almost a decade of rejections; it went on to win the Women’s Prize for Fiction, the Goldsmiths Prize, the Kerry Group Irish Novel of the Year, the Desmond Elliott Prize and the Geoffrey Faber Memorial Prize. Eimear published her second novel, "The Lesser Bohemians", in 2016, followed by "Strange Hotel" in 2020 and "The City Changes Its Face" in 2025. She also brought out a work of non-fiction, ⁠"Something Out of Place: Women & Disgust"⁠, in 2021. We spoke to Eimear about her early interest in acting, experimenting with style and "The City Changes Its Face".

We’ve made another update for those ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We’ve added 40 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New York Times, the Washington Post and the BBC. The whole compendium now runs to a whopping 160 pages. For Patreons who contribute $10/month we’re now also releasing bonus mini-episodes. Thanks to our sponsor, Scrivener, the first ten new signs-ups at $10/month will receive a lifelong license to Scrivener worth £55/$59.99 (seven are left). This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a monthly call with Simon and Rachel.

A new edition of “Always Take Notes: Advice From Some Of The World’s Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

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