Jessie Stephens, author of Heartsick: Three Stories About Love, Pain, and What Happens In Between, discusses what made her book proposal successful and the tenuous connection between social media following and book sales. They also explore the pros of having an agent, the impressions of her first book offer, and her new book. They touch on challenges in conveying desired tone and style in the proposal and the process of pitching a collection of true stories about heartbreak.
Conveying the tone, structure, and originality of a book is the most challenging part of writing a book proposal.
Having a platform and background in media can provide credibility and potential avenues for promotion, but the quality and value of the book itself are equally important for securing a deal.
Word-of-mouth and readers' genuine interest and recommendation are crucial for long-term success, regardless of having a platform or background in media.
Deep dives
Challenges and successes in writing the book proposal
The most challenging part of writing the book proposal was conveying the tone and structure of the book, as well as explaining its originality. The easiest part was emphasizing the strength of the idea and its appeal to readers. I highlighted influences such as Lisa Taddeo's 'Three Women' and referenced popular fiction authors like Sally Rooney and Marian Keyes. These elements stood out to publishers because they showcased the potential marketability and uniqueness of the book.
The significance of having a platform and background in media
Having a platform and background in media did make a difference in selling the book. It provided credibility and the assurance that I could reach an audience, as well as potential avenues for promotion and support from the media company I worked for. However, it was not the sole determining factor in securing a book deal, as the quality and value of the book itself were equally important.
The impact of word-of-mouth and the importance of a good book
Despite having a platform, the success of a book ultimately relied on word-of-mouth and readers' genuine interest and recommendation. Writing a good book that resonates with readers and prompts discussion and recommendation was crucial for long-term success.
Skipping the agent and going directly to publishers
I did not pursue an agent and instead leveraged my connections and contacts to approach publishers directly. While I acknowledge that having an agent could have been beneficial for guidance and negotiations, my primary goal was to have a book deal with an externally determined deadline. In hindsight, I realize the value of having an agent, and I now advise others to consider finding an agent to help navigate the publishing process.
Importance of having an agent
Having an agent can provide numerous benefits for authors, such as advocating for their best interests, negotiating deals, and providing guidance throughout the publishing process. With an agent, authors don't have to handle difficult tasks like negotiating book covers or titles directly with publishers, allowing them to focus on their writing.
The evolution of writing a book
The process of writing a book involves constant evolution and growth. From the initial proposal to the final product, the book undergoes multiple rounds of edits, which help shape and refine the story. The author's initial ideas may seem simplistic or naive at first, but continuous immersion in literature and guidance from publishing professionals can lead to a more sophisticated and impactful final product. The author's dedication to revisions and the willingness to delve deep into their subject matter contribute to the success of the book.
In today's Books with Hooks, Carly and CeCe discuss the target audience for a coming of age novel; the pitfalls of the early 2000s as a setting; the importance of your major dramatic question in a query; the issues with setting your novel up as part of a duology or series; and writing 'leading' dialogue.
After which CeCe chats with Jessie Stephens, author of Heartsick: Three Stories About Love, Pain, and What Happens In Between about what made her proposal successful; how Jessie's background in media helped with publishing her book; the tenuous connection between having a large following on social media and selling copies; publishing without an agent and the pros of having one now; the impressions of the offer Jessie got for her first book; the ways in which she was naïve when she began writing; and Jessie's new book.
Find us on our socials: Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing Facebook: @tsnotyaw Website: www.biancamarais.com and www.theshitaboutwriting.com Jessie can be found at www.mamamia.com.au and on Instagram at @jessiestephens90
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