In this solo episode of Discourse in Magic, Jonah Babins shares his raw and honest reflections on FISM 2025. From mind-blowing performances to marathon-length competitions, Jonah walks through the highs and lows of the world’s biggest and most prestigious magic convention and competition. Whether you attended or are just curious about how FISM functions, this episode offers a candid inside look.
Highlights from the World Stage
Jonah opens with praise for the best of the best—performers whose acts left audiences stunned. Standout mentions include Michael Bloke’s clever creativity, the astonishing coding mentalism of Mind to Mind, Billy’s inventive routine, Morton Christensen’s consistent excellence, and the shockingly fresh linking ring act by Juan Klos. But it was quick-change artist Leah Kyle who stole the show with a jaw-dropping act that received standing ovations and, in Jonah’s view, deserved the Grand Prix.
The Long Haul of Competition
Despite the brilliance at the top, Jonah critiques the structure of FISM’s competition. With hours upon hours of performances—many of which don’t meet the bar—he argues for stricter qualification rounds to cut down the sheer volume. Watching 150+ acts over several days becomes grueling, and Jonah suggests FISM should focus on quality over quantity to make the experience more enjoyable and less exhausting.
What FISM Got Right (and Wrong)
From disappointing gala shows to overlooked online categories, Jonah points out organizational missteps. The new Online Magic Awards, though a great idea, felt like an afterthought—barely acknowledged during the ceremony and judged with outdated criteria. He also calls for a more thoughtful schedule, noting the chaos of overlapping events, midnight galas, and 9 a.m. lectures. And as for the judging? Let the crowd reactions count—because Leah Kyle not winning still feels like a snub.
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