Robbie speaks to Electric Fields - Zaachariaha Fielding and Michael Ross about the perspectives that have been infused into the music through collaborative songwriting and Zaachariaha's upbringing in Mimili (APY Lands). After noticing their undeniable creative spark back in 2015, they have been making music together that hark back to the days watching Rage on the weekends, while adding their own individual sounds and stories to the mix.

Electric Fields made their orchestral debut last year with the Melbourne Symphony Orchestra in Hamer Hall, where the show ended with the audience dancing in the aisles of the concert hall. Following the success of that show, they're returning to the stage with the MSO again for NAIDOC Week this year.

Bouncing off the her explorations in Blak Mass, Naretha Williams' new release Into Dusk We Fall shifts the focus from the grand organ to soft synthesisers and the voice. Written and produced with her husband, Cyrus Williams, this album was made throughout intensive lockdowns, with access to MESS restricted and both Naretha and Cyrus stuck in different timezones. She talks us through their remote collaborative process and how the restrictions helped her hone the music on the album.

And an excerpt of Wash My Soul in the River's Flow, a cinematic portrait of Archie Roach, Ruby Hunter and their relationship and collaboration captured in the run-up to their iconic performance with Paul Grabowsky and the Australian Art Orchestra in 2004.

On the dancefloor with First Nations artists Naretha Williams and Electric Fields