The Music Show

Both Sides Now was written by Joni Mitchell in 1966, when she was just 21 years old. She wasn't the first artist to record it though - in true folk tradition, the covers began before her own version was released in 1969, and they haven't stopped since. Both Sides Now is our most covered Cover Story song so far, with over 1,700 versions in as many styles as you can think of. Including, of course, Joni's return to the song from the other side of her career in 2000 (cue Emma Thompson's single tear in Love Actually). For the final episode of this series of Cover Story, we will be looking at 9 versions of Both Sides Now with guests jazz musician Alex Raupach and composer Alice Chance.

Senegalese kora master Seckou Keita's relationship with the West African string instrument is delicate, thoughtful, and expansive. Through developing his own tunings, and taking his music further than the traditions of Casamance, the region of southern Senegal he's from, he's connected his instrument with jazz, classical, and other African musical traditions. He's in Australia playing a series of concerts and drops into the Music Show studio to perform live.Rowena Wise and Didirri are both successful Australian indie artists in their own right. Their personal and creative partnership has led to a couple of singles, as well as a tender duo reinterpretation of their own solo works. They're on the road doing a series of gigs in churches and offer up a couple of beautiful live performances in the studio with Andy.Plus we hear new music from Paul Grabowsky and Mindy Meng Wang, and mark Sir Charles Mackerras' centenary. 

In 1983, the Manly Ferry was making its way to circular quay and James Reyne was laying down Reckless (Don't Be So...) with his band, Australian Crawl, for their EP Semantics. Since then, the song has had a permanent place in lists of great Australian songs, in no small part due to some very different covers. Some by Australian music royalty (from Paul Kelly to John Farnham), and some from further afield (Laura Mvula singing about Aussie landmarks in her Birmingham accent).Andy's guests are University of Western Sydney musicologist John Encarnacao and ABC Classic's Vanessa Hughes.

Martin Hayes is one of the world's most celebrated fiddle players, and a very influential figure in Irish traditional music. He draws from the musical tradition of County Clare and interprets it within a wider contemporary context, and has collaborated with an impressive slate of artists from Paul Simon to Yo Yo Ma. A longtime friend of the Music Show, Martin Hayes speaks with Andy ahead of his 2026 Australian tour.Piotr Anderszewski is a famously exacting pianist from Poland who only performs pieces he feels he can contribute to in an original and personal way. He has performed with many of the world's great symphony orchestras, and is on tour in Australia throughout November performing repertoire of Brahms, Bach and Beethoven. And for Aus Music Month, a new song from Stella Donelly's brand new album Love and Fortune.

Time After Time was a last minute addition to Cyndi Lauper's debut album She's So Unusual in 1983 - a final songwriting session between Lauper and Rob Hyman filling a gap on the tracklist. Since then, it's been through the wringer with not one but two versions recorded for MacDonald's ads, turn-of-the-millennium EDM, and a turn by Miles Davis ("the most honoured I ever felt" - Cyndi Lauper; "he could have farted it and she'd still have loved it" - Andrew Ford). Andy's guests are Iain Grandage and Michelle Nicolle. 

All kinds of music and all kinds of musicians in conversation with Andrew Ford.

All kinds of music and all kinds of musicians in conversation with Andrew Ford.

Inni-K, the alias of singer songwriter Eithne Ní Chatháin, blends Ireland's rich music traditions with her own playful compositional voice. Her new album Still A Day deviates from the traditional material she's focused on in the past, and these original songs are sung in English and Gaelic, with her voice and fiddle at the centre.Touring relentlessly and releasing music since the early 1980s, Joe Camilleri and The Black Sorrows are taking stock with a new album of ‘quintessential songs’ that celebrate their four decade contribution to Australian music.  Part of the band’s success is down to embracing eclectic musical styles. You’ll find jazz, blues, rock, zydeco and pop on this album. The Sorrows have also welcomed a rotating cast of musicians over the years—people like Vika & Linda Bull, Paul Grabowsky, Michael Barker and George Butrumlis. Joe speaks to Andrew about longevity, singing with his saxophone, and how he never knows when something’s going to be a hit.Plus, music from the border of Iran and Afghanistan, from Badieh. They'll be on The Music Show next week. 

The First Time Ever I Saw Your Face was made famous by the version Roberta Flack recorded for her 1969 album First Take, which was then used in Clint Eastwood's 1971 film Play Misty for Me.  But it started life as a relatively simple folksong British folk singer Ewan MacColl wrote for and delivered to American folk singer Peggy Seeger down a phone line at the start of the 1960s. From folksong to torch song to torture device (sorry, Barbra Streisand), it's a song that has robustly weathered many interpretations. Poet and folk artist Kate Fagan and soprano Rachel Mink of Luminescence Chamber Singers are our critics in the first episode of a new series of Cover Story. 

Composer Christopher Gordon is being handed the Distinguished Services to the Australian Screen award at this year's Screen Music Awards. Responsible for big scores to films like Mao’s Last Dancer, Ladies In Black, and Master and Commander: The Far Side of the World, Christopher has also written for television, ballet and the concert hall. He tells Andrew about catching his first big break (a score for miniseries Moby Dick) and how he’s kept up such a varied composing and conducting career.Forming in Brisbane in 1978, The Apartments have been releasing music on-and-off for over 40 years, with singer songwriter Peter Milton Walsh the only constant member. The latest album spends a lot of time looking back, balancing joys and sorrows, and arrives like a declaration: That's What the Music is For.