Should a composer leave the listener wanting more, or must a musical ending be definitive? Is a 'fade out' actually a cop-out, and is a decisive ending preferable to an abrupt one? In short, is the object of a musical ending to bring an audience to its feet? And what about false endings? Do they excite or belittle the audience?
This lecture will certainly not be the last word on the subject of musical endings, but it might, ironically, be a start.
A lecture by Jeremy Summerly 2 April
The transcript and downloadable versions of the lecture are available from the Gresham College website:
https://www.gresham.ac.uk/lectures-and-events/musical-endings
Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 2,000 lectures free to access or download from the website.
Website: http://www.gresham.ac.uk
Twitter: http://twitter.com/GreshamCollege
Facebook: https://www.facebook.com/greshamcollege
Instagram: http://www.instagram.com/greshamcollege
This lecture will certainly not be the last word on the subject of musical endings, but it might, ironically, be a start.
A lecture by Jeremy Summerly 2 April
The transcript and downloadable versions of the lecture are available from the Gresham College website:
https://www.gresham.ac.uk/lectures-and-events/musical-endings
Gresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 2,000 lectures free to access or download from the website.
Website: http://www.gresham.ac.uk
Twitter: http://twitter.com/GreshamCollege
Facebook: https://www.facebook.com/greshamcollege
Instagram: http://www.instagram.com/greshamcollege