In 'American Psychosis,' E. Fuller Torrey examines the historical and current state of mental health treatment in the United States, arguing that federal government policies have significantly contributed to the deterioration of the mental health care system. The book provides a detailed account of the changes in mental health care policies and their consequences, highlighting the need for reform and improved care for individuals with mental illnesses.
Published in 1913, 'The Custom of the Country' is a satire that critiques the leisure-class marriage market and the culture of consumerism. The novel follows Undine Spragg, a young woman from the Midwest who marries multiple times in her pursuit of social power, money, and material possessions. Wharton explores the contrasts between Old New York and the new rich, as well as the differences between American and European social customs. The novel is notable for its sharp commentary on early twentieth-century society, highlighting the self-centered ambition and mutual disconnection between men and women, particularly in the context of marriage and divorce.
From classic eighties films like “Wall Street” to Bret Easton Ellis’s 1991 novel “American Psycho,” the world of finance has long provided a seductive backdrop for meditations on wealth and power. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the many portrayals of this élite realm, and how its image has evolved over time. Where earlier texts glorified Wall Street types as roguish heroes, the Great Recession ushered in more critical fare, seeking to explain the inner workings of a system that benefitted the few at the expense of the many. In 2024, as TikTokkers and personal essayists search for “a man in finance,” things seem to be shifting again. HBO’s “Industry,” now in its third season, depicts a cadre of young investment bankers clawing their way to the top of a soulless meritocracy—and may even engender some sympathy for the new finance bro. Why are audiences and creators alike so easily seduced by these stories even after the disillusionment of the Occupy Wall Street era? “We're talking about something—money—that is fun, and that we all on some level do want,” Cunningham says. “It’s always going to make us feel.”
Read, watch, and listen with the critics:
“Industry” (2020—)
“Wall Street” (1987)
“You don’t have to look for a ‘man in finance.’ He’s everywhere,” by Rachel Tashjian (The Washington Post)
Joel Sternfeld’s “Summer Interns, Wall Street, New York”
“American Psycho” (2000)
“American Psycho,” by Bret Easton Ellis
“Wall Street: Money Never Sleeps” (2010)
“The Big Short” (2015)
“The Wolf of Wall Street” (2013)
“Margin Call” (2011)
“The Case for Marrying an Older Man,” by Grazie Sophia Christie (The Cut)
“My Year of Finance Boys,” by Daniel Lefferts (The Paris Review)
“Ways and Means,” by Daniel Lefferts
“Custom of the Country,” by Edith Wharton
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