Gresham College Lectures Life, Death and Judgement in the Art and Times of Hieronymus Bosch (d. 1516) - Sophie Oosterwijk
This lecture looks at the 'surreal' art of the Early Netherlandish painter Jheronimus Bosch within its historical and cultural context. Although Bosch’s terrifying visions of sin, death, and the hereafter may appear surreal today, especially his highly imaginative depictions of devils, they were tied to the religious attitudes and moralising texts of the period, such as the Ars moriendi, the Dance of Death, and Everyman. It is in this context that one should examine Bosch’s Haywain Triptych, Garden of Earthly Delights, and other works.
This lecture was recorded by Dr Sophie Oosterwijk FSA on the 10th of December 2025 at Barnard’s Inn Hall, London.
Sophie is Vice President of The Church Monuments Society and was for many years editor of its journal Church Monuments. Born in Gouda (Netherlands), she is a recognised specialist in Early Netherlandish and Dutch art. After studying English at Leiden and Medieval Studies at York, she obtained two doctorates in Art History (Leicester) and English Literature (Leiden). She previously taught art history at the Universities of Leicester, Manchester and St Andrews.
Since her return to the Netherlands, Sophie has been working as a freelance researcher and guest lecturer for the University of Cambridge, The Arts Society (formerly NADFAS), and other organisations. She has published widely, especially on death, the danse macabre and commemorative art. Her latest book, a co-edited volume entitled Writing, Dancing and Performing Death across Late Medieval Europe, is due to be published by Brill in 2025.
The transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/watch-now/hieronymus
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