Laraaji, a musician known for his experimentation with instruments and collaboration with Brian Eno, talks with Marc about his lifelong experimentation with instruments, collaboration with Brian Eno, and his ongoing practice of laughter meditation. They also discuss his musical beginnings, the power of songs in bondage, manifesting and the power of language, the story behind his name change, the connection between laughter and meditation, and a discussion about the movie 'The Wolf of Wall Street'.
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Quick takeaways
Laraaji's switch from traditional instruments to the autoharp transformed the genre of ambient music.
Laraaji's music creates a meditative state, drawing people in and transporting them out of their busy minds.
Collaborating with Brian Eno on 'Ambient 3: Day of Radiance' expanded Laraaji's reach and influence in ambient music.
Deep dives
The Evolution of LaRaji's Music: From Classical Training to Street Performances
LaRaji, originally known as Edward Larry Gordon, started his musical journey with classical training in piano and violin. He attended Howard University where he immersed himself in classical and choral music. After college, he found himself playing rock and jazz rock in Park Slope and Manhattan, using electric instruments such as the Fender Rhodes piano and guitar. However, a serendipitous encounter at a pawn shop led him to discover the autoharp and embrace a new direction in his music.
The Birth of LaRaji's Unique Sound and the Power of Improvisation
LaRaji took to the streets to perform his new electric zither improvisations, finding that his music drew people into a meditative state and transported them out of their busy minds. This led to the formation of a devoted following. LaRaji describes his music as vertical, with no need for a predetermined conclusion. He explores themes and variations, while remaining open and spontaneous. His music is a constant unfolding, much like the practice of meditation.
Collaboration with Brian Eno and the Creation of 'Ambient 3: Day of Radiance'
LaRaji's journey took an unexpected turn when Brian Eno approached him after hearing his music performed in Washington Square Park. They collaborated on the album 'Ambient 3: Day of Radiance.' Eno introduced LaRaji to new recording techniques, such as using high-end microphones instead of pickups and double tracking the zither. Their studio sessions were intuitive and fast-paced. The album marked a significant milestone in LaRaji's career, expanding his reach and influence in the world of ambient music.
From Comedy to Music
The podcast episode delves into the speaker's journey from studying music at college to exploring comedy improvisation. Despite initially planning to become a composer, the speaker's interest in comedy grew after performing at the Bitter End in New York. The decision to pursue comedy ultimately led the speaker to move to New York and embark on a career as a comedian. Alongside comedy, the speaker maintained a passion for music, composing and performing with various jazz-rock groups.
Metaphysics, Meditation, and Laughter
The podcast episode also highlights the speaker's spiritual journey, which intertwined with his career in comedy and music. The speaker discovered metaphysics and meditation, exploring their impact on consciousness and manifestation. Laughter became an integral part of the speaker's life, embracing its ability to transcend the thinking mind and to connect with oneself and others. Through laughter meditation and conscious laughter playshops, the speaker shares the healing and transformative power of laughter.
Before he was Laraaji, Edward Larry Gordon was a gig musician with a background in composition, an aspiring actor, a standup comic and a person interested in the metaphysical. Then one day he pawned his guitar for an autoharp and changed not only his life but the genre of ambient music. Laraaji talks with Marc about his lifelong experimentation with instruments, his collaboration with Brian Eno, and his ongoing practice of laughter meditation.