'The Last of Us' - Making the hit TV series with cinematographer Eben Bolter

1

Introduction

00:00 • 2min

2

Eben Sternberg on the Power of Short Filmmaking

02:05 • 2min

3

The Last of Us

03:38 • 3min

4

How I Got Into Cinematography in the First Place

06:09 • 4min

5

The Life and Career of a Filmmaker

10:16 • 5min

6

The Parallels to Directors

15:14 • 6min

7

The Importance of Collaboration in Filmmaking

20:59 • 2min

8

The Importance of Ambition

23:11 • 3min

9

How I Met the Director and Director of the Women in White TV Series

26:00 • 5min

10

How to Be a Good Cinematographer

30:41 • 4min

11

The Last of Us: A Dream Job

34:12 • 3min

12

How to Be a Collaborator in a Project Like Chernobyl

36:42 • 3min

13

How to Make a Film That Feels Right

39:12 • 5min

14

How to Shoot in Continuity

44:28 • 2min

15

How to Create a Master Shot That Feels Real

46:23 • 2min

16

How to Light a Wide Shot Cinematic Reality

48:41 • 5min

17

How to Capture the Mood of Melanie and Joel in Episode Six

53:58 • 6min

18

The Five Obstructions of Filmmaking

59:44 • 3min

19

The Hardest Set Piece on Last of Us

01:02:39 • 4min

20

The Importance of Being Subjective

01:06:33 • 4min