How to Shoot in Continuity

The art department, you know, leads those things. John Peano has his plan and he's like, this is where I think the kind of roundabout thing is going to be. And me and Peter and everyone just feed into that. In terms of like continuity of the episode, it kind of, we just sort of did the best we could in terms of like, you know,. You always want to shoot in continuity. There's always a sort of rhythm to things.

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