Aquinas, the 'Great Theory of Beauty', and Music | Prof. Michael Dickson
Nov 25, 2024
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Professor Michael Dickson, a Philosophy expert from the University of South Carolina, delves into the rich relationship between beauty and music. He critiques modernist architecture's influence on church design, arguing that it undermines traditional beauty. Dickson explores concepts from ancient philosophers like Pythagoras and Aquinas, advocating for a deeper appreciation of musical beauty grounded in clarity and proportion. He also examines the limitations of various musical genres, particularly 80s punk rock, revealing a complex landscape of beauty in today’s music.
Professor Michael Dickson critiques the modern rejection of beauty in art and architecture, advocating for a return to classical aesthetic principles like proportion and clarity.
The relationship between beauty and music is explored through ancient philosophical concepts, emphasizing that good music is inherently beautiful and rooted in traditional definitions of beauty.
Deep dives
The Evolution of Church Architecture
The podcast discusses the shift in church architecture towards modernist principles during the mid-20th century, particularly influenced by the Bauhaus movement. The guiding concept of functionalism became dominant, leading to buildings resembling corporate offices rather than traditional churches. This change often resulted in designs that failed to facilitate liturgical practices, such as inadequate spaces for priests during Mass. The speaker references Father Hans Reinhold's lectures, which emphasize the importance of honesty in construction and how modernist architects’ rejection of beauty contributed to these issues.
The Diminishment of Beauty in Music
The decline of beauty in music during the 20th century parallels the changes in architecture, where a growing dismissal of aesthetic value took precedence. Philosophers like Jean-Francois Lyotard and Theodor Adorno expressed skepticism towards beauty, personal freedom, and meaningfulness in music, leading to an acceptance of music that lacked traditional beauty. This decline is evident in contemporary philosophical discourse, where beauty is often seen as irrelevant to what makes music good. As a counterpoint, the speaker posits that good music is inherently beautiful and explores the dimensions and implications of this assertion.
Traditional Understandings of Musical Beauty
Exploring the concept of beauty in music, the podcast highlights a traditional perspective rooted in ancient Greek philosophy, which links beauty to harmony and proportional relationships. Figures like Pythagoras and St. Augustine articulated that beauty stems from proportion, clarity, and integrity, reflecting a divine idea. The speaker connects these concepts to contemporary music, arguing that a richer definition of beauty, based on these historical ideas, is necessary for understanding what constitutes good music. By examining these classical definitions, the relationship between beauty and goodness in music becomes crucial for appreciating its overall value.
Musical Practices and Their Impact
The podcast proposes that musical beauty is defined by the practices surrounding different musical genres, drawing parallels with linguistic structures in poetry. Like languages, musical practices provide frameworks that determine the integrity, proportion, and clarity of musical compositions. The speaker emphasizes that understanding due proportion and meaning within music depends on familiarity with these practices and their varying degrees of complexity. This perspective allows room for diverse musical forms while establishing meaningful criteria for evaluating their beauty, as certain genres may inherently possess limitations based on their structural practices.
Professor Michael Dickson examines the relationship between beauty and music, tracing the development of aesthetic theories from ancient Greek philosophers to modern thinkers. He critiques modernist approaches that dismiss beauty in art and architecture and advocates for a return to the "great theory of beauty" which emphasizes proportion, clarity, and integrity.
This lecture was given on February 20th, 2024, at University of South Carolina.
Professor Michael Dickson is Professor of Philosophy at the University of South Carolina. His research interests are in the philosophy of music, philosophy of psychiatry, and medieval philosophy. He has also worked in the philosophy of physics, especially quantum theory. He is the author of Quantum Chance and Nonlocality (1998).
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