Two friends in the Arts and Crafts Movement set out to create the ultimate Bible edition with a typeface called Doves. Their journey turns sour as their artistic collaboration unravels, leading to a fierce dispute over the type's ownership. One friend struggles with the idea of destroying their beloved creation, while another seeks to revive it decades later. The tale weaves together themes of beauty, sacrifice, and the complexities behind artistic partnerships, illustrating how a noble vision can spiral into chaos.
The partnership between Cobden Sanderson and Walker exemplifies the delicate balance between artistic ambition and practical execution in creative endeavors.
Cobden Sanderson's drastic decision to destroy their typeface illustrates the destructive nature of obsession and pride when faced with artistic disagreements.
Deep dives
The Friendship Behind Dove's Press
The collaboration between Thomas Cobden Sanderson and Emery Walker served as a foundation for the creation of Dove's Press, a venture aimed at producing beautifully crafted books. Their partnership, rooted in mutual respect and shared artistic vision, allowed them to blend their different backgrounds and skills, with Cobden Sanderson providing creative direction and Walker managing the practical aspects of printing. As they worked closely together, both men found inspiration in the arts and crafts movement, which emphasized handmade quality over mass production. The affectionate moments they shared, reflected in personal gifts and political ideals, laid an essential groundwork for their ambitious project but would later be challenged by diverging priorities.
The Struggle for Perfection
The inception of Dove's Press was marked by an artistic ambition to produce books of exceptional quality, but it eventually led to tension between Cobden Sanderson and Walker. Their differing views on aesthetics, particularly concerning typography and layout, created friction as they grappled with their artistic visions. While Cobden Sanderson envisioned lighter, more spacious designs, Walker's practical approach clashed with this idealism. The pressures of creating their first major work, a Bible published in 1903, exacerbated their disagreements, culminating in arguments about each other's roles and expectations in the printing process.
Destruction of a Legacy
The fallout from their partnership reached a critical point when Cobden Sanderson made the drastic decision to destroy the typeface that they had both worked so passionately to create. In a series of clandestine trips to the River Thames, he destroyed the Dove's type, believing that if he couldn't inherit his artistic vision, no one else should either. This act of destruction not only symbolized his internal struggles but also decimated the legacy they had built together. Cobden Sanderson's choice reflects the complexities of obsession and pride, ultimately leading to a tragic end for a beautiful artistic endeavor that would have inspired generations.
In 1900, two friends in the flourishing Arts and Crafts Movement in London share a vision: to print the ultimate edition of the Bible. Together they create The Doves Press, and its unique font, Doves. But in their quest to make something beautiful, the friends spiral towards an act of incredible ugliness.
For a full list of sources, see the show notes at timharford.com.
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