Discussing the life and works of Albrecht Dürer, a great German artist known for his powerful images. Topics include his woodcut of a rhinoceros, watercolour of a young hare, drawing of praying hands, and stunning self-portraits. Also, his journey to become a skilled painter and printmaker, his woodcut marketing success, and the terrifying aspects of his artwork including his engraving of 'The Knight, Death, and the Devil'. Delving into his contrasting sides as a meticulous scholar and extravagant individual, and exploring the effects of a recurring fever on his output and lifelong dedication to art.
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Quick takeaways
Albrecht Dürer achieved international fame through his meticulous images, including woodcuts and watercolors, capturing the beauty of nature and creating stunning self-portraits.
Dürer's legacy lies in his transformative contributions to the art world, revolutionizing the use of monograms, expanding the narrative content in printmaking, and empowering artists to have control over their creativity and the art world.
Deep dives
Brett Chura's Life and Works
Brett Chura, a renowned artist from the 15th and 16th centuries, achieved international fame through his mesmerizing and meticulous images. His fame initially came from woodcuts and watercolors, capturing the beauty of nature and creating stunning self-portraits. Despite facing opposition, he found his own path to become a great artist, taking on public commissions that built his reputation. While also creating artwork for profitable prints. His paintings captured the timeless and the new, reflecting a world of great change.
Nuremberg's Influence on Durer
Brett Chura was born in Nuremberg, a city known for its political and technological importance during the 15th century. The city's innovative craftsmanship, including globe and precision instrument makers, attracted the merchant elite and the humanist elite, inspiring Durer. Nuremberg was also a center of religion, drawing in magnificent churches and preachers. These patrons, including the church, the ruling elite, and the merchant class, supported Durer's work, commissioning religious paintings, portraits, and illustrations for books.
Durer's Journey as an Artist
At the age of 15, Durer transitioned from an apprenticeship with his father, a goldsmith, to an apprenticeship with a leading Nuremberg painter. He honed his skills in painting, woodcuts, and stained glass design. His travel along the Rhine River exposed him to different workshops and artists, including Martin Schongauer, an influential engraver. Durer's visit to Venice significantly impacted him, as it provided business opportunities and exposure to Italian printmaking and artistic theories. Venice's trading status and wealth fascinated him, and he embraced its artistic influence.
Durer's Innovations and Legacy
Durer's legacy lies in his transformative contributions to the art world. He revolutionized the use of monograms, incorporating them in prints, paintings, and even drawings. His meticulous attention to detail and his ability to capture nature's beauty were unparalleled. Durer's prints became highly desirable, and he created a collector's market for his single-sheet prints. He also expanded the narrative content in printmaking, inspiring countless artists. His legacy extended beyond his works, as he elevated the status of artists and empowered them to have control over their creativity and art world. Durer's self-portraits, created throughout his life, demonstrated his mastery in portrait painting and explored his own identity as an artist.
Melvyn Bragg and guests discuss the great German artist Albrecht Dürer (1471-1528) who achieved fame throughout Europe for the power of his images. These range from his woodcut of a rhinoceros, to his watercolour of a young hare, to his drawing of praying hands and his stunning self-portraits such as that above (albeit here in a later monochrome reproduction) with his distinctive A D monogram. He was expected to follow his father and become a goldsmith, but found his own way to be a great artist, taking public commissions that built his reputation but did not pay, while creating a market for his prints, and he captured the timeless and the new in a world of great change.
With
Susan Foister
Deputy Director and Curator of German Paintings at the National Gallery
Giulia Bartrum
Freelance art historian and Former Curator of German Prints and Drawings at the British Museum
And
Ulinka Rublack
Professor of Early Modern European History and Fellow of St John’s College, University of Cambridge
Studio production: John Goudie
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