All Songs Considered
And the Oscar for Original Song goes to...
Feb 18, 2025
Hazel Cills, a music journalist and critic known for her insights on film scores and songs, joins the discussion on Oscar nominations. They dive into the nominees for Original Score and Song, analyzing the emotional weight and narrative alignment of various compositions. The conversation highlights snubs and overlooked soundtracks, including a critical look at Elton John's 'Never Too Late' alongside emerging nominees. Expect a blend of predictions, critiques, and a deep appreciation for the art of movie music as they navigate this year's awards landscape.
47:40
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Quick takeaways
- The podcast emphasizes how impactful musical scores, like Daniel Bloomberg's for 'The Brutalist', enhance the emotional depth of films by reflecting their themes.
- A critique is offered regarding the Academy's predictable nominations, highlighting notable snubs and a tendency to favor familiar styles over innovative compositions.
Deep dives
The Art of Movie Music
A significant focus is placed on the connection between films and their musical scores, particularly during Oscar season. The conversation highlights specific nominee films like 'The Brutalist', whose sprawling score effectively complements the film's themes of immigration and American industrialism. The score, composed by Daniel Bloomberg, draws listeners in with its mixture of mechanical and organic sounds, elevating the film's emotional impact. Comparisons are made to iconic film scores, showcasing how powerful music can enhance cinematic storytelling.
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