

And the Oscar for Original Song goes to...
12 snips Feb 18, 2025
Hazel Cills, a music journalist and critic known for her insights on film scores and songs, joins the discussion on Oscar nominations. They dive into the nominees for Original Score and Song, analyzing the emotional weight and narrative alignment of various compositions. The conversation highlights snubs and overlooked soundtracks, including a critical look at Elton John's 'Never Too Late' alongside emerging nominees. Expect a blend of predictions, critiques, and a deep appreciation for the art of movie music as they navigate this year's awards landscape.
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Hilton's Envy
- Robin Hilton envies Hazel Cills' movie-watching lifestyle.
- Hazel Cills has structured her life to see as many films as possible.
The Brutalist Score
- The Brutalist features a sprawling score by Daniel Bloomberg, matching its epic storyline.
- Bloomberg's score blends mechanical and organic sounds, reflecting the film's themes of architecture and madness.
The Wild Robot Score
- Chris Bowers, known for Bridgerton and King Richard, composed The Wild Robot's playful, futuristic score.
- While effective, the score is considered a bit too traditional for an Oscar nomination.