
And the Oscar for Original Song goes to...
All Songs Considered
Oscars Best Score Analysis
This chapter explores the nominees for the Best Score at the Oscars, focusing on the compositions of Daniel Bloomberg for 'The Brutalist' and Chris Bowers for 'The Wild Robot.' The discussion includes critiques on the coherence of scores in relation to their films, particularly examining the polarizing 'Amelia Perez' and praising the effectiveness of Volker Bertelmann's work in 'Conclave.' Through detailed analysis, the speakers uncover the importance of a score's alignment with a film's narrative and emotional tone.
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