How YouTube is changing kids TV, and why authors are still boycotting the Giller Prize
Dec 19, 2024
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Noor Naga, author of "If an Egyptian Cannot Speak English" and a key voice in the CanLit Responds campaign, discusses the rapidly changing landscape of children's media. She highlights the mass shift from traditional kids' TV, such as Nickelodeon and Disney, to YouTube, revealing how this impacts young viewers and the industry. Naga also delves into the ongoing protests against the Giller Prize, addressing the ethical concerns around corporate sponsorship and the resulting division in the Canadian literary community.
Children's viewing preferences are significantly shifting from traditional TV to YouTube, highlighting a drastic decline in linear viewership for major networks.
The CanLit Responds campaign exemplifies the literary community's collective power in challenging conventional award institutions and advocating for ethical values.
Deep dives
The Shift in Children's Viewing Habits
Children are increasingly turning away from traditional television shows in favor of amateur YouTube content. Research indicates a drastic decline in linear viewership, with Nickelodeon experiencing an 86% drop and Disney Channel a staggering 90% decrease from 2016 to 2023. This trend reflects a significant shift in how children consume entertainment, as platforms like YouTube offer immediate and engaging content that resonates more with young viewers. The ease of access to diverse creator-generated videos on mobile devices further contributes to this change, steering kids away from conventional animated series.
The Appeal of YouTube Content
YouTube captivates young audiences by providing a fast and vast array of content created by individuals who relate to the growing internet-savvy generation. This content often features entertaining, spontaneous activities that appeal to children's desire for excitement, as seen in videos showcasing extreme sports or DIY challenges. The quick production turnaround of YouTube videos also allows creators to engage with trends almost instantly, keeping the content fresh and relevant compared to the lengthy animation processes of traditional children's programs. Consequently, kids find themselves drawn to these lively creators who are perceived as relatable and entertaining.
The Success of 'Bluey' Amidst Changing Trends
'Bluey,' an Australian animated show, has emerged as a significant success in children's television, even in a landscape dominated by YouTube content. This series, praised for its intuitive storytelling that resonates with both kids and parents, showcases the importance of quality in animated programming. In 2024, it became the most-watched show in the U.S., indicating that traditional children's content can still thrive. Despite the rise of YouTube, 'Bluey' proves that there is still an audience for well-crafted animated stories that respect children's intelligence and attention spans.
The Impact of Community and Activism in Literature
The CanLit Responds campaign exemplifies how authors and literary communities can unite to challenge mainstream literary institutions and promote social values. The campaign, which emerged in response to the Giller Prize's sponsorship ties, has mobilized many authors to reconsider their relationships with traditional awards. A significant number of authors have abandoned their nominations as a form of protest, showcasing a shift in priorities within the literary landscape. This collective action serves as a reminder of the power of community in advocating for ethical practices and values in contemporary literature.
Increasing numbers of young viewers are abandoning traditional kids TV shows in favour of creator-produced online content. The Wrap’s TV reporter Kayla Cobb explains the impacts of this shift on both children and the entertainment industry at large. Plus, the ongoing protests against the Giller Prize, this country’s most prestigious literary award, has sent shockwaves through CanLit. Elamin speaks to Noor Naga. She's one of many authors who've boycotted the Giller Prize. She talks about what changed in 2024.
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