Commotion with Elamin Abdelmahmoud

C.T. Jones, a culture and pop-culture writer, champions reading books first for deeper emotional engagement. Jo Saul, co-owner of Type Books, explores how adaptations can boost book sales and discusses the balance of reading versus watching. Film critic Bilge Eibiri argues for watching films first to enjoy them without distractions. The trio dives into the adaptation trend, audience fatigue with repetitive IP, and the thrill of discovery in bookstores. Their spirited debate is filled with insights on how storytelling unfolds in both books and films.

Morgan Campbell, a senior contributor at CBC Sports, and Tara Slone, a broadcaster with Sirius XM, dive into the cultural significance of the Grey Cup, discussing Canadian football's identity amidst rule changes. They highlight how the Grey Cup compares to other national sports moments and the influence of U.S.-Canada tensions on CFL culture. Comedian Marlon Palmer shares insights on the new Eddie Murphy documentary, praising Murphy’s impact on comedy and his unique storytelling style, while reflecting on his lasting legacy.

Film critics Rad Simonpillai, Terry Hart, and Kaiya Shunyata join Elamin Abdelmahmoud to dissect Edgar Wright’s reboot of The Running Man, revealing its faithfulness to the novel while questioning its emotional depth. They debate Glenn Powell's star potential and how the film stacks up against other dystopian hits like Hunger Games. The conversation shifts to the rising cult status of Toronto’s The Office Movers, praised for its humor and local charm. Finally, they analyze Sydney Sweeney’s film Christy, discussing its box-office struggles and the impact of recent controversies on her career.

Jackson Weaver, an entertainment writer at CBC, and Kathryn VanArendonk, a culture critic, dive into Vince Gilligan's new show, Pluribus, highlighting its unique storytelling and philosophical themes surrounding individualism and community. They discuss Rhea Sehorn's compelling performance amid a post-apocalyptic setting. Meanwhile, Alyssa Mercante, a video game journalist, unpacks the reasons behind the delay of Grand Theft Auto 6, exploring its Bonnie-and-Clyde narrative and the franchise's lasting allure despite the long wait.

A lot has been said about Margaret Atwood’s memoir ‘Book of Lives: A Memoir of Sorts’ since it was published last week, which makes sense, because she revealed a whole lot about her life that most of us didn’t know. Author Heather O’Neill, and writer Deborah Dundas join Elamin Abdelmahmoud to talk about how reading Margaret Atwood's memoir changes the way we read her work.Correction for this episode: Graeme Gibson's first wife's name is Shirley Gibson.

Raymond Biesinger, a Montreal-based illustrator and author, shares insights from his book 'Nine Times My Work Has Been Ripped Off,' revealing how creatives can safeguard their work against exploitation. Vancouver photographer Jackie Dives recounts her own experiences with unauthorized use of her images and discusses the critical support within artist networks. They explore the alarming prevalence of infringement among freelancers, the consequences of standing up against it, and voice concerns about the future of AI in the creative world.

Jay Smooth, a hip-hop cultural critic, and Michelle Santosuosso, a music industry academic, join the conversation to explore the rise of rappers as podcasting powerhouses amidst rap's decline on the Hot 100. They dive into how streaming metrics are reshaping industry standards and why artists now prioritize numbers over traditional airtime. As they discuss the cultural shift in hip-hop, they reveal that chart absence doesn't signal decline, but rather an opportunity for creative renewal with new artists like Dochi and Saba leading the way.

Film and TV critics Roxana Hadadi, Teri Hart, and Jackson Weaver dive into the intricacies of recent cinematic releases. They dissect Kim Kardashian's role in 'All's Fair,' questioning its writing and whether she can lead a drama. The panel praises Jennifer Lawrence's authentic performance in 'Die My Love,' while discussing its handling of postpartum themes. They also cover the intense experience of 'If I Had Legs, I'd Kick You,' noting its emotional rawness and the significance of female filmmakers in reshaping motherhood narratives.

Freelance music journalist Emilie Hanskamp joins to dissect the TikTok controversy surrounding pop star Sombr, who faced criticism for being 'cringe' from a fan. They delve into the generational divide in music tastes, contrasting Sombr's youthful comedic style with audience expectations. Emilie argues that the TikTok fame can hinder artist development, raising questions about readiness for large performances. They explore whether Sombr's response can lead to growth or deeper entrenchment in his echo chamber.

Nico Stratis, a writer and music critic, dives into the cultural impact of Gordon Lightfoot's 'The Wreck of the Edmund Fitzgerald,' exploring its emotional resonance and meme-worthy lines. Conor Kerr adds a unique perspective on maritime lore and the story behind the song. Meanwhile, Eurovision correspondent Karen Fricker reveals Canada’s potential entry into the Eurovision Song Contest, discussing the political context and logistical needs. Together, they reflect on the pride and excitement a Canadian participation could ignite.