Commotion with Elamin Abdelmahmoud

Comedians performing at the Riyadh Comedy Festival are being criticized for selling out to a Saudi regime that is trying to change its image. Alyssa Mercante and Shireen Ahmed join Elamin Abdelmahmoud to talk about Saudi Arabia's soft power, and how it's making inroads into new cultural realms and changing the conversation. Fill out our listener survey here. We appreciate your input! 

Music journalists Emilie Hanskamp, Reanna Cruz, and Suzy Exposito join Elamin Abdelmahmoud in the Group Chat to weigh-in on Taylor Swift’s highly anticipated new album, ‘Life of a Showgirl,’ and the recent announcement of Bad Bunny as the halftime-show performer at next year's Super Bowl.Fill out our listener survey here. We appreciate your input! 

With the release season 5 of ‘Only Murders In The Building’, the films ‘The Thursday Murder Club’ and ‘Eleanor The Great,’ Elamin is joined by film and tv critics Radheyan Simonpillai and Teri Hart, and screenwriter and show-runner Anthony Q. Farrell to discuss the ways characters who are 60-plus show up in our film and tv programming today, and whether Hollywood is doing a good enough job at portraying these characters, as well as what it means to age.Fill out our listener survey here. We'd love to hear from you!

Niko Stratis and Rachel Ho join Elamin Abdelmahmoud to share their thoughts on comedian Mae Martin's series Wayward, an unexpectedly dark thriller that is definitely not a comedy. Plus, T'Cha Dunlevy talks about the return of Montreal singer-songwriter Patrick Watson, whose ethereal new album Uh Oh is about losing his voice.Fill out our listener survey here. We'd love to hear from you!

On this National Day for Truth and Reconciliation – we talk about an artist who is having a profound impact on the way we understand Canada’s past – and the resilience of Indigenous people. Riley Yesno, Susan Blight and Marion Newman celebrate Kent Monkman, whose gender-fluid alter ego, Miss Chief Eagle Testickle is now the subject of an opera, parts of which will be performed tonight (Sept 30) in Montreal. 

The hit narrative podcast Heavyweight by Jonathan Goldstein is back after being cancelled by Spotify a few years ago. Plus, Venus and Serena Williams jump into podcasting with their new show, Stockton Street, available exclusively on X.com. Elamin Abdelmahmoud chats with culture critic Nicholas Quah and author Jael Richardson about what these shows say about where we’re at with podcasting right now.And, reporter Matilda Källén talks about Sweden's controversial list of 100 things that make up their cultural canon, which includes Pippi Longstocking and IKEA, but excludes ABBA and Swedish food.

CBC Entertainment's Jackson Weaver, film critic Radheyan Simonpillai, and poet El Jones join Elamin Abdelmahmoud to discuss Paul Thomas Anderson’s new film 'One Battle After Another,' a prescient action-comedy about a family stuck in a political war, and Apple TV+’s controversial decision to postpone its series 'The Savant.'

Elamin is joined by Kennya Giselle Rivera Sanabria and Reanna Cruz to look back on Bad Bunny’s historic 31 day residency in Puerto Rico (which ended this past Saturday) and what its success might mean for Bad Bunny and Puerto Rico, moving forward. Plus, Elamin is joined by culture critic Matt Amha to discuss the new graphic novel ‘Fela: Music Is The Weapon’ and how Fela Kuti’s legacy intersects with present day pop culture.

Less than a week after being yanked off the air for comments he made about Charlie Kirk, Jimmy Kimmel is back. But will he be muzzled? TV critic Eric Deggans and comedian Ashley Ray join Elamin to talk about Kimmel's return to late night.

Film critics Radheyan Simonpillai and Sarah-Tai Black join guest host Amil Niazi to talk about the film 'Him,' a Jordan Peele-produced horror film about American football culture, and the new Netflix drama Black Rabbit starring Jason Bateman and Jude Law. Plus, Toronto critic Joshua Chong discusses the Michael Jackson jukebox musical, ‘MJ: The Musical’ (which recently made its Toronto debut) and how it grapples – or doesn’t – with the more controversial aspects of Jackson’s legacy.