Switched on Pop

Deja Vu: Why Olivia Rodrigo keeps giving up songwriting credits

Sep 21, 2021
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Episode notes
1
Introduction
00:00 • 5min
2
What Is Interpolation?
04:43 • 2min
3
Music in Thistry Controversy - Taylor Swift Owns the Music Publishing
06:43 • 3min
4
The Music Industry Is Changing the Way Music Is Made
09:13 • 2min
5
Is Olivia Rodrigo a Good Album?
10:56 • 2min
6
Are You Listening to a Song?
13:19 • 2min
7
Are They the Same Song?
15:16 • 3min
8
Paramore Gets a Song Writing Credit
17:55 • 2min
9
Is There a Song That Succeeds on the Radio?
20:25 • 2min
10
The Blurred Lion's Case
22:45 • 2min
11
Those Are Two Similar Grooves
25:13 • 2min
12
The Marvingay Estate's Argument That They Sound Like, Sounded Like
27:21 • 2min
13
You Can't Copy Yo, Right?
29:22 • 2min
14
Copywriting the Building Blocks
31:46 • 2min
15
Katy Perry vs Flame
33:48 • 3min
16
Can a Simple Eight Note Musical Phrase Be Open to Copyright?
37:08 • 2min
17
What's Your Gut Check on This One? There's Only So Many Ways to Make Guitar Tinkles
38:58 • 3min
18
Love Is a Wonderful Thing, by the Isley Brothers
42:07 • 2min
19
Michael Bolton and Thin Copyright
44:18 • 2min
20
I'm Two Sex by Taylor Swift, What You Make Me Do
46:43 • 2min
21
Is There a Credit on a Song?
49:03 • 2min
22
Is This a Case Where There's Only a Handful of Publishers and Record Labels?
50:58 • 2min
23
Song Writers Are More Nervous Than Ever
52:43 • 2min
24
Music Industry
54:40 • 2min
25
The Worst Kept Secret in Pop Music
56:14 • 2min
26
Dekoter - The Verge's Tenth Anniversary Party
57:57 • 2min