This chapter explores the limitations and unreliability of human vision and discusses how technology, art, and emotions can both enhance and distort our perception. It features insights from a digital culture professor, an artist challenging our way of seeing, and an art historian examining Monet's influence on our perception.
The Impressionist painter Claude Monet wrote that he was driven ‘wild with the need to put down what I experience’. In his long career he revolutionised painting and made some of the most iconic images of western art. The art critic Jackie Wullschläger’s biography of Monet looks at the man behind the famous artist.
Monet’s late series of paintings of water lilies became less and less concerned with a conventional depiction of nature. The artist Mat Collishaw’s latest works also draw on evocative imagery from the natural world, including use of AI technology. At an exhibition at Kew Gardens (until April 2024) Collishaw takes inspiration from 17th century still life paintings of flowers, but on closer inspection the viewer sees the flowers morph into layers of insects.
Humans have always used technology to expand our limited vision, from the stone mirror 8,000 years ago to facial recognition and surveillance software today. Jill Walker Rettberg is Professor of Digital Culture at the University of Bergen. In her book, Machine Vision, she looks at the implications of the latest technologies, and how they are changing the way we see the world.
Producer: Katy Hickman