This chapter delves into the background and writing career of a feminist writer, exploring their influences and the role of humor in their work. It discusses their transition from writing fiction as a joke to loving it. The chapter also touches on the idea of writing ideas first and improving later, as well as the writing process of another author.
For January's bonus episode, we put together a sci-fi double feature: The Ones Who Walk Away From Omelas by Ursula K. Le Guin and The Forbidden Words of Margaret A. by L. Timmel Duchamp. Both are short stories of speculative fiction, and both are incredibly clever bummers.
When not despairing at the states of humanity and journalism, we lighten the mood with some horrifying mouth noises, David Brooks articles, and Andrew's campaign for Sexiest Man Alive.
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