i mean, two years it was just you kind of writing, really, what i would describe is like almost like a public diary of the music you're listening to. And you were working at the record shop. And also, i think you got, like, you're don some tela marketing, also to earn some cash. Yes, whit you were good at, right? You were pretty good a. I was going to get at it,. ye, the record store kind of stopped cutting it.You know, i wanted to move out. You want to move out of your parents place, of course. And i, i needed to support myself in some way. When i did
While working at his local record store at age 20, Ryan Schreiber dreamt that his scrappy music review webpage might one day grow into an influential music publication. Working out of his parents’ house, he wrote about indie music because he loved it, and recruited like-minded friends to do the same. In 2000, a rhapsodic review of Radiohead’s “Kid A” got huge attention online, and soon Ryan’s site began to attract tens of thousands of users—building a reputation for pointed reviews that could make or break careers. In 2015, Pitchfork joined The New Yorker and Vogue when it was acquired by Condé Nast, one of the most prestigious magazine publishers in the world.
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