On finishing the project of music, on TikTokCore and SpotifyCore, on music as cosplay and the technicity of cultural imperialism, on the bureaucratic turn in the arts, on being dangerous. Lecture given for my beloved DMR at Columbia University at the beginning of December.
Feeling a bit bolder than usual on this one, but it's cuz my toddler is sleeping good. <3
Shoutouts included at the top. Shoutouts to EPFL Pavilions and especially Jonathan Impett, who I revere, for giving me an initial platform for my obnoxious ideas.
Also — Liz Pelly’s new piece for Harpers is extremely relevant here:
https://harpers.org/archive/2025/01/the-ghosts-in-the-machine-liz-pelly-spotify-musicians/. Thanks to Micah Silver for pointing me to it, and for introducing me to Alex Reisner, who completely blew my mind open on the subject of copyright law.
Thanks to the Wire for distilling this entire thing into one sentence.
Reinforced shoutout to
New Models we <3 u. Don't listen to this, listen to their interview w/ Holly Herndon and Mat Dryhurst instead.
2025 babyyyyyyyy
