This episode in our history of the great essays and great essayists is about Susan Sontag’s ‘Against Interpretation’ (1963). What was interpretation and why was Sontag so against it? David explores how an argument about art, criticism and the avant-garde can be applied to contemporary politics and can even explain the monstrous appeal of Donald Trump.

Sontag in the LRB:

Terry Castle on Sontag and friendship 

‘At its best, our relationship was rather like the one between Dame Edna and her feeble sidekick Madge – or possibly Stalin and Malenkov.’

James Wolcott on Sontag and polemics

‘The upside of Sontag’s downside was that her ire was generated by the same power supply that electrified her battle for principles that others only espoused.’

Mark Grief on Sontag and identity

‘One of the most appealing things about Susan Sontag was that she didn’t ask to be liked. Sontag’s persona was not personal. It was superior.’

Joanna Biggs on Sontag and Paris

‘Paris let her say no to an academic life, but not to a life of ideas. The best thinking was done in cafes, or in bed, or at the movies, not in libraries.’

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