Margaret Mehl’s Music and the Making of Modern Japan: Joining the Global Concert (Open Book 2024) examines the ways in which Western classical (or “art”) music contributed to Japanese nation-building in the late nineteenth and early twentieth centuries. Mehl’s analysis of this critical half-century or so in modern Japanese history is sensitive to the power of the participative “musicking” in shaping shared understandings of national and local community and their place within a larger world. The book, which is split into the global, national, and local, also demonstrates that as much as Western art music shaped Japan, Japan shaped back. In doing so, “Japanese” music was defined in important ways that have continued to influence a sense of national self and culture.
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