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Exploring the Ethics of Discount Rates
This chapter delves into the concept of discount rates and the ethical implications of valuing future lives differently based on time. It discusses the standard practice in economics of weighing the distant future less than the present or near future due to uncertainty.
"Suppose we make these grants, we do some of those experiments I talk about. We discover, for example — I’m just making this up — but we give people superforecasting tests when they’re doing peer review, and we find that you can identify people who are super good at picking science. And then we have this much better targeted science, and we’re making progress at a 10% faster rate than we normally would have. Over time, that aggregates up, and maybe after 10 years, we’re a year ahead of where we would have been if we hadn’t done this kind of stuff.
"Now, suppose in 10 years we’re going to discover a cheap new genetic engineering technology that anyone can use in the world if they order the right parts off of Amazon. That could be great, but could also allow bad actors to genetically engineer pandemics and basically try to do terrible things with this technology. And if we’ve brought that forward, and that happens at year nine instead of year 10 because of some of these interventions we did, now we start to think that if that’s really bad, if these people using this technology causes huge problems for humanity, it begins to sort of wash out the benefits of getting the science a little bit faster." —Matt Clancy
In today’s episode, host Luisa Rodriguez speaks to Matt Clancy — who oversees Open Philanthropy’s Innovation Policy programme — about his recent work modelling the risks and benefits of the increasing speed of scientific progress.
Links to learn more, highlights, and full transcript.
They cover:
Chapters:
Producer and editor: Keiran Harris
Audio engineering lead: Ben Cordell
Technical editing: Simon Monsour, Milo McGuire, and Dominic Armstrong
Additional content editing: Katy Moore and Luisa Rodriguez
Transcriptions: Katy Moore
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