I would imagine though that like an injury while in the military would be a massive setback. And so too for someone on set where everything is just so meteorically expensive and injury is probably the worst thing that could pop. So how do you approach your training with that in the back of your head? Yeah, you're always running, you're on a tightrope. I'm very, very tuned in to watching people the way that I'm observing. You know all the idiosyncrasies and you learn idiosyncrasies really, really quickly. They can like the little kind of like the little ticks or observations. That's what you do. But that's your job.