The New Yorker: The Writer's Voice - New Fiction from The New Yorker cover image

Madeleine Thien Reads Yoko Ogawa

The New Yorker: The Writer's Voice - New Fiction from The New Yorker

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Interpreting the Man's Stories and Speculating on Identity

In this chapter, they discuss the three stories that the man tells, including his experiences in the school cafeteria, the pool, and the defunct chocolate factory. These stories provide specific details about the man and his childhood, which contrasts with the previous ambiguous portrayal of the man and the boy. They also speculate on the identities of the man and the boy, considering the possibility that they are not cult members and discussing their apparent lack of a home. They mention the absence of a monetary motive or a missionary agenda in the man's actions towards the woman. The chapter also explores the displacement of experiences onto other things and the lack of interpretation provided by the author.

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