

#2541
Mentioned in 10 episodes
Richard III
Book • 1597
The play, part of Shakespeare's 'first tetralogy,' depicts Richard's ruthless ambition and his use of deception, manipulation, and violence to become King Richard III. After the death of his brother, King Edward IV, Richard orchestrates the deaths of his nephews, court noblemen, and other opposition to secure the throne.
His reign is marked by terror and eventually leads to his downfall when Henry Tudor, Earl of Richmond, challenges his claim and defeats him at the Battle of Bosworth Field.
Richmond then becomes King Henry VII, ending the Wars of the Roses and starting the Tudor dynasty.
His reign is marked by terror and eventually leads to his downfall when Henry Tudor, Earl of Richmond, challenges his claim and defeats him at the Battle of Bosworth Field.
Richmond then becomes King Henry VII, ending the Wars of the Roses and starting the Tudor dynasty.
Mentioned by





















Mentioned in 10 episodes
Mentioned by 

when discussing the documentary Now in the Wings on a World Stage.


Lex Fridman

209 snips
#432 – Kevin Spacey: Power, Controversy, Betrayal, Truth & Love in Film and Life
Mentioned by 

and 

while discussing the historical context of Shakespeare's Richard III.


Tom Holland


Dominic Sandbrook

67 snips
131. Burgundy: Europe's forgotten superpower
Mentioned by 

in the context of a shared line in two of Shakespeare's plays.


Ryan Holiday

25 snips
Do You Practice For Rejection? | A Little Knowledge Is Dangerous
Mentioned by ![undefined]()

in the context of Shakespearean acting class.

Cecil Baldwin

13 snips
266 - The Return of Poetry Week
Mentioned throughout the podcast as a source of insights on leadership and power dynamics.

12 snips
Shakespeare on How Leaders Rise, Rule, and Fall
Mentioned as a source of wisdom on leadership, both good and bad.

11 snips
Veep show: America meets J.D. Vance
Mentioned by Elijah and 

during a discussion about favorite characters and plays.


Peter Kreeft

Episode 225: Humilty, Time Travel and Philosphy with Peter Kreeft
Mentioned for his portrayal of Richard III, which is considered Tudor propaganda.

Print the Legend
Mentioned by Kenneth Kukier as a source of wisdom on leadership, highlighting both good and bad examples from his plays.

Veep show: America meets J.D. Vance
Mentioned by 

when discussing Shakespeare's works on the War of the Roses.


Gary Arndt

The War of the Roses
Mentioned by ![undefined]()

as the author of a book that sparked her interest in King Richard III.

Philippa Langley

197. Finding King Richard III with Philippa Langley (Part 1)
Mentioned by Jordan B. Peterson in relation to the limitations of evildoers without ideology.

142. Aleksandr Solzhenitsyn (Existentialism)
Mentioned by 

as examples of Shakespearean plays where characters express disbelief.


Ryan Holiday

You Must Think It
Mentioned by ![undefined]()

when discussing a role he played at Steppenwolf Theatre.

Michael Patrick Thornton

FT Weekend: How Shakespeare gave actor Michael Patrick Thornton his life back
Mentioned by 

as a great biography of Richard III, considered definitive for many Ricardians.


Tom Holland

139. The Princes in the Tower Part 2
Mentioned as the playwright whose works were considered for adaptation by Orson Welles, including "King Lear", "Richard III", "The Merchant of Venice", "Measure for Measure", and "Julius Caesar"

The Cinema of Orson Welles by Peter Bogdanovich ~ Full Audiobook
Mentioned by ![undefined]()

as the play that ends the history plays.

Neema Parvini

PREVIEW: Chronicles #3 | Shakespeare with Academic Agent
Mentioned by 

in the context of Shakespeare's works and their enduring relevance.


Russell Brand

The Battle for Truth: Gregg Hurwitz on Myth, Power & Cultural Control – SF540
Erwähnt von ![undefined]()

als eines der Stücke, die in Salzburg aufgeführt wurden.

Norbert Mayer

So ein Theater: Was in Salzburg neben dem „Jedermann“ noch läuft
Mentioned by 

as a more polished work compared to Henri VI.


Thomas Jolie

Looking for William Shakespeare 5/5 : Acte V : After Shakespeare