Was geschah, nachdem Nora ihren Mann verlassen hatte, oder, Stützen der Gesellschaften
Book • 1979
This play, first published and premiered in 1979, continues the story of Nora from Henrik Ibsen's 'A Doll's House'.
It delves into how Nora navigates a society controlled by a small capitalist elite.
Throughout the play, Nora's role is depicted through various male projections: wife, mother, worker, lover, whore, mistress, and business woman.
Ultimately, Nora frees herself from her upper-class role as a wife and mother to become a factory worker, but she fails to fully participate in the exploitative capitalist society due to her ambitions.
The play critiques societal structures and gender roles.
It delves into how Nora navigates a society controlled by a small capitalist elite.
Throughout the play, Nora's role is depicted through various male projections: wife, mother, worker, lover, whore, mistress, and business woman.
Ultimately, Nora frees herself from her upper-class role as a wife and mother to become a factory worker, but she fails to fully participate in the exploitative capitalist society due to her ambitions.
The play critiques societal structures and gender roles.
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Erwähnt von ![undefined]()

im Kontext der Diskussion über die Weiterentwicklung des Themas "Frauen und Freiheit" nach Ibsen.

Anna Maria Krassnigg

Henrik Ibsen revisited - #1062