1min snip

The New Yorker: Poetry cover image

Diane Seuss Reads Jane Huffman

The New Yorker: Poetry

NOTE

Moving Between Concrete Memory and Metaphor

The insight of this snip is about the process of moving from concrete memory to metaphor in poetry. It describes the transition from plot memory to metaphor, with the speaker internalizing the subject. The speaker desires to achieve the movement between concrete memory and the intangible essence of memory as the highest achievement in poetry.

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