The New Yorker: Poetry cover image

Campbell McGrath Reads Czeslaw Milosz

The New Yorker: Poetry

NOTE

The Evolution of Tradition

The author discusses a writer who was conscious of writing at the end of a tradition, particularly considering the changes in the Catholic church. The author reflects on skepticism towards the church, personal connections to Catholicism, and the idea of becoming a Pope. They also mention a specific poem that stands out among their body of work.

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