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The New Yorker: Poetry cover image

Shane McCrae Discusses “Jim Limber in Heaven”

The New Yorker: Poetry

NOTE

Black Epic as a Form of World Identity

Black epic, which emerged in the mid-20th century, is not bound to a single national identity but can be a representation of a world identity. Despite Pound's flaws, his creation of a form allowed people of color in the West to develop their own epics, contributing to a global identity narrative.

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