Coughing in concert settings often acts as a social catalyst, influencing audience behavior and creating a ripple effect. One individual's cough can set off a chain reaction, suggesting a sense of permission among attendees to join in. This phenomenon occurs frequently during performances where clapping is considered inappropriate between connected pieces, leading to coughing serving as an alternative form of appreciation. Furthermore, the definition of classical music encompasses a range of genres, typically highlighting the instrumental works from the 18th century, while contemporary use often broadens this definition beyond its strict origins.
It wasn't that long ago, historically speaking, that you might put on your tuxedo or floor-length evening gown to go out and hear a live opera or symphony. But today's world is faster, more technologically connected, and casual. Is there still a place for classical music in the contemporary environment? Max Richter, whose new album In a Landscape releases soon, proves that there is. We talk about what goes into making modern classical music, how musical styles evolve, and why every note should count.
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Blog post with transcript: https://www.preposterousuniverse.com/podcast/2024/09/09/288-max-richter-on-the-meaning-of-classical-music-today/
Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence. He was a co-founder of the ensemble Piano Circus. His first solo album, "Memoryhouse," was released in 2002. He has since released numerous solo albums, as well as extensive work on soundtracks for film and television, ballet, opera, and collaborations with visual artists.
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