Antigone embodies the concept of the sublime by aligning with the death drive and enacting a symbolic suicide, which challenges the existing symbolic order. She is willing to forgo her status as a subject within this order, highlighting a profound liberation and a connection to what is typically unnameable and unacceptable to that order. This act reveals a sublime aspect of her character that is politically liberating, as it confronts the constraints of ideology. Furthermore, the notion of sublime objects emerges, signifying entities that inspire desire and possess an authoritative presence in the ideological landscape. These objects evoke awe and reverence, reinforcing their role as essential components of ideological functioning. Both Antigone and sublime objects generate a sense of admiration and respect, showcasing the dual nature of the sublime in liberating engagement and ideological attachment, while also reflecting the aesthetic experience of reverence associated with the sublime.
Exciting news! For the first time Bloomsbury has published a book length overview and guide to Slavoj Žižek's 1989 text The Sublime Object of Ideology and we're talking with it's author Rafael Winkler about his reading of Slavoj Žižek's famous text.
Rafael is an Associate Professor in the Department of Philosophy, University of Johannesburg, South Africa. He’s the author of Žižek’s The Sublime Object of Ideology: A Reader’s Guide (London: Bloomsbury, 2024), Philosophy of Finitude: Heidegger, Levinas, and Nietzsche (London: Bloomsbury, 2019), Identity and Difference (ed.) (London and New York: Routledge, 2018), Phenomenology and Naturalism (ed.) (London and New York: Routledge, 2017), and Identity and Difference: Contemporary Debates on the Self (ed.) (London: Palgrave, 2016)
More on the book from Bloomsbury.
First published in 1989, The Sublime Object of Ideology was Žižek's breakthrough work, and is still regarded by many as his masterpiece. It was an iconoclastic reinvention of ideology critique that introduced the English-speaking world to Žižek's scorching brand of cultural and philosophical commentary and the multifaceted ways in which he explained it. Tying together concepts from aesthetics, psychoanalytic theory, cultural studies and the philosophy of belief, it changed the face of contemporary commentary and remains the underpinning of much of his subsequent thinking.
This compelling guide introduces all of the influential thinkers and foundational concepts which Žižek draws on to create this seminal work. Grounding the text's many and varied references in the work of Peter Sloterdijk, Saul Kripke, Walter Benjamin, Jacques Lacan, Jacques Derrida, Immanuel Kant and G.W.F. Hegel, amongst others, helps students who are encountering this mercurial writer for the first time to understand the philosophical context of his early explorations. Each of Žižek's key arguments are unpacked and laid out, alongside an invaluable account of how The Sublime Object of Ideology impacted the critical terrain on which it landed.
Enjoy!