The New Yorker: Poetry cover image

Joy Harjo Reads Sandra Cisneros

The New Yorker: Poetry

NOTE

Mirror, Fire, and Fragmentation

The poem is likened to a mirror by one speaker, but another emphasizes its quality as a fire with remnants that can be saved. The poem's fragmentation is noted, yet it is also highlighted how it differs from works like 'The Waste Land' with a sense of humor and pleasure. The slippages in the poem are admired, pointing to a playful inquiry into the moment and the nature of language as a reflective, fiery, and pleasurable experience.

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