Cows in the field

The cows are joined this week by Dan Harris (Philosophy, Hunter College) on their journey through past lives to uncover and exorcise a few trillion-year-old traumas. We consider how Paul Thomas Anderson depicts a divided soul across three individuals struggling to find order and humanity in a chaotic, animalistic, world, and explore how trauma and masculinity intertwine to forge vulnerabilities, and even love, between two men whose life trajectories seem pointed in opposite directions. We can't pick just one favorite line, but we do note an homage to Nacho Libre and Anderson's debts to Kubrick and Huston.  [02:55] Dan's Introduction to the Master [09:59] Trauma and war [22:39] Freddie, Lancaster, and masculinity [33:26] Divided souls in Freud and Plato [1:02:32] Cults and demagogues [1:14:34] The significance of the ending [1:28:24] Favorite lines [1:41:08] Outro [1:43:25] Bass traps are not garbage!

We are joined by Kieran Setiya (Philosophy, MIT) to discuss what makes life worth living, what's lost in an infinite time loop, and to what extent flourishing within such a loop is possible. Along the way, we explore grief, the midlife crisis, atelic actions, the Buddhist concept of Saṃsāra, Kierkegaard, female agency in a world dominated by the male perspective, and the metaphysics of time loops and time travel. Supervenience violations and imaginative resistance are considered, as is Bill Murray's career arc and also lessons for our current situation during the COVID-19 pandemic. Follow Kieran on Twitter: @KieranSetiya Read Kieran on the midlife crisis Listen to Five Questions How many days did Phil relive in the time loop?

The cows reverse entropy to discuss Christopher Nolan's bewilderingly dense sci-fi masterpiece in this surprise bonus episode. Part one is a spoiler-free pitch for the movie, while part two explores themes and philosophical issues. Justin argues that the movie is a thematic trilogy with Inception and Interstellar about the evolving nature of parenthood, while Laura makes the case that Kat (Elizabeth Debicki) is the emotional core of the movie. Also covered are: what it is like to interact with time-inverted objects/people, the metaphysics of time and free will, and which confidently delivered obscure line is best. Listen to the end for a recreation of a pivotal scene! Justin's diagrams: 1, 2, 3.  Inspirational quote from Ives: "Don't get on the chopper if you can't stop thinking in linear terms."

The cows are visited by longtime San Francisco resident and old friend Robert Pierce to discuss Francis Ford Coppola's 70s paranoia thriller. Situated in the tumultuous transition period of the mid-1970s, the movie captures the cynicism of a generation slowly being engulfed by the temptations of urban renewal and fears of privacy violations. We consider how Coppola and Hackman craft a compelling character study out of a protagonist riddled with contradictions by injecting elements of their own lives into the story. We also explore the pragmatics of focal stress and marvel at humans' ability to understand complex nuances of language and film conventions without conscious thought. Episode webpage, including Robert's photos of San Francisco: https://cowspod.wordpress.com/2021/01/15/the-conversation-1974/

The cows revisit the Arthurian legend with Bilge Ebiri (New York Magazine and Vulture). We discuss how the film weaves together opera and Jungian  archetypes while exploring humanity's complex and often violent relationship with nature, the challenges of self-governance, the allure of a benevolent dictator, and the tragedy befalling the virtuous leader who desires not to lead. Thematic links to the rest of Boorman's filmography are considered, as well as how Excalibur compares with other portrayals of the quest for the Holy Grail. Follow Bilge on Twitter; read Bilge at Vulture!

The cows hit the links with Tim Gilman (WMBR 88.1 FM Boston) to finish off 1996 with a comedy that just might be a bit deeper than it lets on. Why is Happy so angry? Could it be in reaction to the contempt shown by the moneyed elite to the working class, a response that reflects the current rise in popularity of populist demagogues across the world? Or might it be a reflection of his inner turmoil at being terrible at what he loves most? Along the way, we discuss our obligations to care for our elders, property tax rates in Connecticut, the joys of Christopher McDonald as Shooter McGavin, and the worst athlete commercials of all time.

The cows watched Sofia Coppola's latest and came to very different conclusions, which necessitated an emergency episode to sort it all out. Join us for a maybe autobiographical discussion of the complexities of modern parenting, gendered divisions of cognitive labor, and not losing yourself when asked to shoulder the emotional labor of your friends and family.

The cows freeze in Minnesota with friend Molly Perkins in this revisit to the Coen Brothers' 1996 folktale noir. Themes of faith, deception, encountering the inexplicable, Scandinavian roots, and ecstatic truth are all discussed, along with highlights of favorite supporting cast members and a head-to-head comparison of psycho killers Gaear Grimsrud (Peter Stormare) and Anton Chigurh (Javier Bardem).

Join the two cows on their journey into the world of fantasy basketball-star-crossover vehicles, featuring guest Vishal Dave! It's 1996 and Michael Jordan is fresh back from retirement, ready to take on the Monstars and save the NBA from a bunch of talentless hacks. Is there a tragic emptiness at the core of Space Jam, marked by Jordan's self-destructive quest for dominance? And how does it compare to what might be its polar opposite -- Kazaam, a rapping genie movie about a child who comes to accept the imperfections of his parents, starring the ebullient Shaquille O'Neal? Tune in to find out and dig in to some mid-nineties pop classics!

The cows are joined by Mattia Acetoso (Italian Literature, Boston College) to discuss the feature debuts of Wes and Paul Thomas Anderson. What might we learn about these original and influential directors' first films? Both movies center around misfits who retreat from a random and often harsh reality to form their own surrogate families and find new ways of living. Along the way, genres are subverted, narratives obfuscated, and souls redeemed.