Cows in the field

We sit down with fellow Dune-head John DeVore to discuss two DUNE movies -- David Lynch's 1984 troubled masterpiece, and Denis Villeneuve's 2021 re-imagining of Arrakis. Can Villeneuve's film live up to the inevitable hype? How do the two films capture the mystical weirdness of the book? What is that weird spider-person in the Harkonnen's palace? Join us as we drink the juice of Sapho and ride a spice maggot into the folds of space and beyond! Follow @JohnDeVore on Twitter! Read John on Dune here: https://medium.com/humungus/this-scene-in-dune-screwed-me-up-in-the-head-26cc68cd4b4d https://johndevore.medium.com/?p=6dbf9a9fddad https://decider.com/2017/06/23/dune-david-lynch-john-devore/ 

Join us on the harmonium as we revisit Paul Thomas Anderson's (not-)musical tragicomedy Punch Drunk Love with Sean Burke (Founding Partner, Whistler Partners). We discuss how Adam Sandler embodies the awkwardness and anxiety of male adolescence, and how Anderson mixes color and sound to create an overwhelming kaleidoscope of social panic, rage and repression, and fear of public humiliation. Yet, underneath it all, we find a simple and pure love story -- perhaps one of the most hopeful in recent memory -- yet one that also depicts love in all its complexity and difficulty. Where does this gem rank in your list of Paul Thomas Anderson films??

Bilge Ebiri (New York Magazine / Vulture) returns to talk with us about this classic nineties Wolfgang Petersen conspiracy thriller that pits an aging Secret Service Agent (Clint Eastwood) against an anarchistic terrorist (John Malkovich) intent on assassinating the President. We reflect on how the movie reflects cautiously on Eastwood's broad career, regret and second chances, and consider the virtue of sacrificing oneself in defense of democratic institutions (flawed as they may be in practice). Along the way, we wonder about duty and growing old, as well as give due praise to John Malkovich and interrogate the social conventions of winking. Read Bilge at Vulture; follow @BilgeEbiri on Twitter!

The cows journey to Hamunaptra to find some ancient artifacts, and along the way revisit perhaps Brendan Fraser's most famous works. Laura confesses her love for Brendan Fraser and Justin confesses his love for Arnold Vosloo, and attempts to make the case that the Mummy is a misunderstood villain. The cows enjoy the dual parallel love stories and show appreciation for the depiction of a healthy, loving, relationship between characters Rick and Evelyn, and definitely do not discuss a certain questionable CGI Scorpion King. 

Have you ever seen two cows swing through the trees? We talk about Brendan Fraser's ultimate committed performance as George of the Jungle in this most silly and juvenile and heartfelt movie. We wonder about heroic fools, praise the film's strategy of giving the central arc to Ursula, and comment on the film's questionable presupposition of human language learning. Along the way, Justin reveals his ignorance about children's movies and Laura pens her love letter to Brendan Fraser. 

The cows begin their Frassersance mini-series with this wonderful curio of the 90s, about a pair of high school dorks (Sean Astin and Pauly Shore) who find a frozen caveman (Brendan Fraser) in their backyard. We discuss the film as an adoption story, and explore what parents can learn from the innocence of their children. We also dig into Pauly Shore's character Stoney Brown, who embodies the atelic ideals of striving just to be, rather than to accomplish. Don't wheeze the jah-uiceeee!

We are joined this week by special guests Robert and Sheryl Khoo (parents of a co-host of this very podcast) to talk about Mike Judge's TPS-ridden middle-class satire, Office Space! We talk about our experiences working within soul-crushing bureaucracies, and also the surprising upsides of meetings. We consider the case for Lumbergh and the plight of the middle manager, and wonder whether it is possible to earn a living within a capitalist economy without losing yourself in the process. And we evaluate the movie and Peter Gibbons' plight with the hindsight of the ongoing computer science boom, which likely would have found programmers like Peter earning millions and sipping Maui Thais on a beach with Milton.

We sit down at the poker table with Anders Schoubye to discuss perhaps the greatest poker movie ever, confronting our true calling, and what the movie gets right, and wrong, about poker and gambling. Who is team Damon and who is team Teddy KGB? Tune in to find out!

We are joined by the writer, director, and producer of The Last Days of Disco, Whit Stillman, to talk about his film, his fascination with complex female friendships and group social life generally, as well as the appeal of shaggy narratives. Whit regales us with stories that inspired the film, his experience with disco, his days in publishing, and getting to know George Plimpton. If you haven’t seen The Last Days of Disco, you should check it out now! It’s truly a wonderful film and Whit is a hilarious and humble and articulate person. We hope you enjoy this special episode!

We get into the ring with Blake Howard (One Heat Minute Productions) to discuss Michael Mann's incredible biopic of Muhammad Ali. Despite being a major box office failure, we make the case for revisiting this stunning and complex portrayal of the greatest boxer as he transitions from brash fighter to heroic inspiration for a social movement. We explore how Michael Mann and his astounding cast and crew (including a career-defining performance by Will Smith) manage to simultaneously humanize and glorify Ali without glossing over the details of his complex life and relationships. Where does Ali rank on your list of all time biopics??