In addition to being a much-admired writer, she owns Parnassus Books, in Nashville. “Because I own a bookstore, I get a copy of just about every book that comes out. It’s like being pelted to death with books.” Like that Shirley Jackson story but more ironic. The author of Bel Canto, on friendship, fathers, writing, and reading.

This movie and TV writer—he created Monk—loves his local public radio station in Jersey City. “If you tune into WFMU, and you don’t like what you hear, just wait five minutes: you’ll hear something much worse.” Love expresses itself perversely, but it’s love. Music: Billygoat—Michelle Segre, Jennifer Sirey, Kat Lewis.

Dean of the Columbia Graduate School of Journalism and a staff writer for The New Yorker, he says, “When people ask what I think is the foundational institution of democracy, I always say: 'the public library.'” Enjoy it while we’ve got it. And what’s left of our democracy.

To be a great architect—or painter or poet or almost anything—do you need a great patron? “Certainly that helps, but then you have to bring the talent and vision and invention,” she says. Oh, well, then, never mind.  We spoke at the Louis Armstrong Center, a building they designed. Produced with Open House New York. Music: Valerie and Ben Turner.

This political scientist sees a crisis of legitimacy. “When 90% of Americans believe there ought to be universal background checks on guns, and nothing happens, you begin to wonder if your vote matters.” Happily, he has ways to make our democracy more democratic. Unhappily, they won’t be enacted. We’re all pessimists now. (All = me.) Produced with the Marlene Meyerson JCC Manhattan. Music: Pete Rushefsky, Lisa Gutkin.

This architect, celebrated for repurposing the Domino Sugar Refinery, says that his young colleagues are eager to address the great issues of the day, “as opposed to designing spaceships in the sand built by slaves.” If that’s not the title of his next book, fire the editor. Produced with the Center for Architecture. Music: Mamie Minch.

“I live overlooking Central Park, and I’m blessed at this stage in life to know that heaven is at my doorstep.” One reason it’s heavenly is that, in the eighties, as its administrator, she led the effort to restore it to its current glory. “It’s a wonderful feeling,” she adds. “For all New Yorkers,” I add, in my thank-you note.

Michael Roth, President of Wesleyan University and former kitchen worker there, shares his journey from student to leader. He humorously discusses the shift from worker to authority when entering the kitchen. Roth delves into the power of collaborative, blue-collar experiences in fostering connections among students. He reflects on the significance of meaningful work and its impact on personal growth, emphasizing how practical engagement can shape not just individual lives, but broader societal narratives.

This terrific actor is admired for her work in Grey’s Anatomy and Hedda Gabler—range!—so I was sure that she seldom has heard a discouraging word. I was wrong. “Oh, please, are you kidding? I could do a dramatic reading of all my bad reviews.” And she’d be brilliant in it! Music: Hubby Jenkins. Produced with Red Bull Theater.

He’s done graphic design for Nike, Apple, and the Denver Nuggets, and is happy to confer with clients. Up to a point. “What you can get is design by committee, which to me is the most terrible thing.” (“Short of design by belligerent, knife-wielding committee,” he did not add.) He spoke from Spain, courtesy of the Type Directors Club.