New Books in Literature

Jose Hernandez Diaz speaks to managing editor Emily Everett about his poem “Ode to a California Neck Tattoo,” which appears in The Common’s spring issue. In this conversation, Jose talks about finding his way to prose poetry, initially drawn in by its casual language and style. He also discusses the process of editing and revising poetry, his interest in the surreal, and what it’s like writing from a first generation point of view.Jose Hernandez Diaz is a 2017 NEA Poetry Fellow. He is the author of the 2020 book The Fire Eater. His work appears in The American Poetry Review, Boulevard, The Cincinnati Review, The Georgia Review, The Iowa Review, The Nation, Poetry, and The Best American Nonrequired Reading 2011. Currently, he is an associate editor at Frontier Poetry and Palette Poetry. He is from Southern California.Read “Ode to a California Neck Tattoo” at thecommononline.org/ode-to-a-california-neck-tattoo.Follow Jose on Twitter at @JoseHernandezDz.Sign up for Jose’s Intro to Prose Poetry online course at litromagazine.com.Submit to Frontier Poetry, where Jose is an editor, at frontierpoetry.com.The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I interview Amy Wright. Wright is an essayist and artist, one who works across a dizzying and dazzling range of subjects and media. However, in her new book, Paper Concert: A Conversation in the Round (Sarabande, 2021), it's not only Wright's voice that shines, but also the voices of almost fifty other contributors. She's written—or maybe I should say assembled or orchestrated—the thoughts and reflections of a dizzying and dazzling range of thinkers, artists, scientists, and true human beings, sharing their experiences and reflections on what it means to be, to live, to make, to grieve, to laugh and, as Wright's entire book attests, to share meaningful conversations that leave us all the richer for the encounter. I'm deeply grateful to share our conversation with you.Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I talked to Joyce Yarrow about her new novel Sandstorm (D.X. Varos, 2021).The message essentially parentless Sandi Donovan learns after being dumped first at an inattentive aunt’s and then at a bootcamp for delinquent teenagers, is to never put her destiny in anyone else’s hands. After her mother dies, her father uses her for cons but can’t be bothered to raise her. She’s fifteen but passes for twenty, and the man who takes her in after she escapes the bootcamp teaches her how to create and sell counterfeit goods. She already knows how to reinvent herself and is surprised at how easy it is to lie. She’s a quick study but struggles with wanting to live a legitimate life rather than continuing to be the grifter and con artist she was raised to be. No matter how good her intentions, everything she does triggers a sandstorm in this heartwarming, fast-paced coming of age tale.Joyce Yarrow was raised in the Southeast Bronx, but escaped to Manhattan, where she wrote poetry while riding the bus through the Lower East Side. The Bus Poems were published, and her writing career was launched. She graduated from Antioch University in L.A. with a combined degree in Music and Communications – two lifelong interests. In addition to five published novels, Joyce's short stories and essays have appeared in numerous national publications, and she is a member of both the Authors Guild and Sisters in Crime. When she’s not writing, Joyce loves gardening, and when the pandemic is over, she plans to return to singing with the world music vocal-with-percussion ensemble, Abráce. They sing in 20 languages, and she’s great at memorizing lyrics but terrible in foreign language conversation.I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb dot com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

This is the third episode of a four-part series featuring the winners and honorable mentions of the 2021 Book Awards for the Association of Asian American Studies (AAAS). This episode features two of the winners in Creative Writing Prose: Xuan Juliana Wang, whose collection Home Remedies explores the new generation of Chinese diasporic wanderers, and Ricco Villanueva Siasoco, whose collection The Foley Artist provides a new treatment of queer Filipinx diasporic lives.Xuan Juliana Wang was a Wallace Stegner Fellow at Stanford University and received her MFA from Columbia University. Her work has appeared in The Atlantic, Ploughshares, The Best American Nonrequired Reading and the Pushcart Prize Anthology. Her collection Home Remedies won the 2021 AAAS award in Creative Writing: Prose.Ricco Villanueva Siasoco received his MFA from the Bennington Writing Seminars and is finishing his Ed.D. from Teachers College, Columbia University. He has received fellowships from The Center for Fiction, Lambda Literary, The National Endowment for the Humanities, and is a board member of Kundiman. His collection The Foley Artist won honorable mention in Creative Writing: Prose.Christopher B. Patterson is an Assistant Professor in the Social Justice Institute at the University of British Columbia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Twenty years after the terrorist attacks of September 11, 2001, the novel Rockaway Blue (Cornell UP, 2021) probes the griefs, trauma and resilience of Irish American New Yorkers wresting with the deaths and aftershocks of that terrible day. The book weaves throughout New York City, from the Midtown North precinct in Manhattan to Arab American Brooklyn, but it is so grounded in the Irish section of Rockaway in the borough of Queens that Rockaway itself becomes a kind of characterLike all of Kirwan’s work, it has a strong sense of history. In Rockaway Blue, Kirwan looks back on September 11 with admiration for the genuine heroism of first responders and skepticism about the “blue wall of silence” in the New York City Police Department. Equally important, he approaches the dead of September 11, and their surviving friends, relatives and colleagues, as three-dimensional human beings with their own mix of strengths, weaknesses, virtues and flaws.Kirwan is the author of five other books, including the novel Rocking the Bronx, the memoir Green Suede Shoes: An Irish-American Odyssey, A History of Irish Music, and 16 plays and musicals. He is also the host of Celtic Crush, a radio show on Sirius XM.He is probably best know as the leader of Black 47, an Irish rock band whose songs mixed Irish music, rock and roll, rhythm and blues and rap to celebrate immigrant experiences old and new and the socialist strain in Irish republicanism embodied by James Connolly.Robert W. Snyder, Manhattan Borough Historian and professor emeritus of American Studies and Journalism at Rutgers University, is the author of Crossing Broadway: Washington Heights and the Promise of New York (Cornell) and co-author of All the Nations Under Heaven: Immigrants, Migrants and the Making of New York (Columbia.) Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I talked to Gervais Hagerty about her novel In Polite Company (William Morrow, 2021).Simons Smythe was born into Charleston’s powerful elite and grew up in one of its fabled historic homes. Her grandfather and father have always been king makers, and all the women she knows have been taught from day one how to dress, how to speak, and how to conform. When Simons isn’t producing the news on a local TV station, she surfs the waves of Folly beach, crabs the salty rivers of Edisto Island, and joins an old friend at King Street bars. If she manages to accept the path laid out for her by generations, she’s also supposed marry her boyfriend, Trip. But she isn’t sure of anything. She confides her confusion only to her elegant grandmother, who urges her to be brave. Simons just has to figure out what that means.Author Gervais Hagerty grew up in Charleston, South Carolina. She earned her B.A. in psychology from Vanderbilt University. After a post-college stint in Southern California, she returned to the East Coast, where she worked as a news reporter and producer for both radio and television broadcasts. After earning her M.B.A. from The Citadel, The Military College of South Carolina, Hagerty was hired to teach Leadership Communications, and as director of the Patricia McArver Public Speaking Lab, she coached students, faculty, and staff to become effective speakers. She also advised the college's public speaking club. She is a board member of The Charleston Council for International Visitors and serves on Charleston's Bicycle and Pedestrian Advisory Committee. Gervais lives in Charleston with her husband and daughters, and when not writing, parenting, or trying to slow traffic so she can bike safely, she dabbles in creating single panel cartoons.I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb dot com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The US military camptowns were established shortly after the Second World War in 1945, appropriating the Japanese comfort stations. The Korean government actively supported the creation of camptowns for its own economic and national security interests. Utilizing the Japanese colonial policy, the US military and the South Korean government sought to control camptown women’s bodies through vaginal examinations, isolation wards, and jails, monitoring women for potential venereal diseases. Denigrated as a “traitor” for “mixing flesh with foreigners,” camptown women and their labors were disavowed in Korean society.[1] However, the Korean government also depended on camptown women for its economic development: camptown women’s earnings accounted for 10% of Korea’s foreign currency.[2] Speaking against this silence, Grace Cho’s new memoir, Tastes Like War (Feminist Press at CUNY, 2021), brings to light not only the pain and trauma of militarized violence as experienced by her mother who worked as a camptown woman in the 1960s and 1970s, but also the beauty and poignant resilience of her life.In Tastes Like War: A Memoir (Feminist Press, 2021), Cho explores the connection between food, war, trauma, family, and love. After marrying a merchant marine, Cho’s mother moved to a white town of Chehalis in Washington in the 1970s. Abundance, social mobility, and progress – America promised Cho’s mother what seemed beyond her grasp in Korea. However, the daily traumas of racialized violence and institutionalized abuses at her workplace furthered her fragmentation as a Third World subject whose body and subjectivity were created by complex ties between the histories of empire, militarized and sexual violence, and racialization. To understand the roots of her mother’s schizophrenia, Cho delves into this history, focusing not only on the traumas but also on hope, strength, beauty, and resilience as embodied by her mother. The everyday acts of cooking Korean meals and foraging for mushrooms and blackberries signaled her mother’s will to survive no matter the condition set by the global empire. Through the act of writing, Cho reconstructs the fragments of her mother’s life – illustrating her mother’s persistent and creative drive for life despite the historical violence that continued to condition her present and the future. [1] First quote is from Cho, Haunting the Korean Diaspora, 94 and second quote is from Cho, Tastes Like War, 93.[2] Park, Emmanuel Moonchil, dir. Podŭrapge (Comfort). 2020; Seoul, Korea: Independent, 2020. Vimeo.Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

It’s a common tale: a gunman out for revenge in the American West, whose six-shooter leaves a trail of bodies behind him. But The Thousand Crimes of Ming Tsu (Little, Brown and Company, 2021), the debut novel from Tom Lin, takes a novel twist on the genre by having its gunman be Ming Tsu: a Chinese man, orphaned in the United States, out on a journey to murder those who press-ganged him to work on the railroads.But The Thousand Crimes of Ming Tsu is more than that, as it delves into the supernatural, the mystical, and the philosophical as Ming continues his journey across the American West.In this interview, Tom and I talk about the setting of The Thousand Crimes of Ming Tsu, and his choices around its characters. We’ll also talk about using a Chinese-American main character in a Western-type story: a traditionally “American” genre.Tom Lin was born in China and immigrated to the United States when he was four. A graduate of Pomona College, he is currently in the PhD program at the University of California, Davis.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Thousand Crimes of Ming Tsu. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Emma Sloley speaks to managing editor Emily Everett about her story “The Cassandras,” which appears in The Common’s spring issue. In this conversation, Sloley talks about writing a story based on the fear of men women are taught to have from a young age. She also discusses her decision to include a sort of Greek chorus in the story, apocalyptic isolation in her novel Disaster’s Children, and how travel writing has changed in the age of Instagram.Emma Slowley’s work has appeared in Catapult, Literary Hub, Yemassee, Joyland, Structo, and The Masters Review Anthology, among many other publications. She is a MacDowell Fellow and Bread Loaf scholar. Her debut novel, Disaster’s Children, was published in 2019. Born in Australia, Emma now divides her time between the United States and the city of Mérida, Mexico.Read “The Cassandras” at thecommononline.org/the-cassandras.Read the LitHub essay mentioned in the podcast here.Read more about Emma and her work at emmasloley.net.The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Jackson Ford has some things in common with his protagonist, Teagan Frost. Both use nom de plumes. And both can move sh*t.With her telekinetic powers, Teagan can move inorganic objects while Ford (aka Rob Boffard) uses his creative powers to move plots at a rapid clip.Ford, and his publisher, Orbit, have also moved the cultural needle—specifically, by bringing three books with sh*t (asterisk and all) into the world. The most recent contribution, Eye of the Sh*t Storm (Orbit, 2021), is the third in Ford’sThe Frost Files series and continues Teagan’s attempts to learn about her origins while managing her government handlers and keeping Los Angeles safe from those with strange psychic powers like hers.“Teagan is not a typical superhero because she resents her ability to move things with her mind,” Ford says. “She would much rather learn how to cook, be a professional chef, and own her own restaurant… Her ability has forced her into a life she has no desire to be a part of.”In his New Books interview, Ford discusses (among other things) profanity, pseudonyms, and why Teagan, despite her extraordinary power, still needs the help of regular people.Born in South Africa, Ford splits his time between London and Vancouver. Under his real name, Rob Boffard, he is the author of the Outer Earth series and Adrift.Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature