New Books in Literature

This conversation, first aired in July 2021, features Brandeis poet Elizabeth Bradfield, and the poet Sean Hill, author of Blood Ties and Brown Liquor (2008) and Dangerous Goods (2014).Sean reads his “Musica Universalis in Fairbanks,” (it appeared in the Alaska Quarterly Review) and then, like someone seated in an archive turning over the pages of aged and delicate documents, unfolds his ideas about birds, borders, houses and “who was here before me.”Mentioned in This Episode:C.S. Giscombe, Into and Out of DislocationC.S. Giscombe, Giscome RoadLorine Neidecker, Lake SuperiorItalo Calvino, Invisible CitiesAnne Carson, PlainwaterWilliam Vollmann, The Ice-ShirtListen and Read:Read transcript here: Sean Hill on Bodies in Space and Time Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Guest host Chris Holmes sits down with Booker Prize winning novelist Damon Galgut and Andrew van der Vlies, distinguished scholar of South African literature and global modernisms at the University of Adelaide, Australia. Andrew and Damon tunnel down into the structures of Damon’s newest novel, The Promise to locate the ways in which a generational family story reflects broadly on South Africa’s present moment. The two discuss how lockdowns during the Covid-19 pandemic invoke for some the limitations on movement during the Apartheid era in South Africa. The Promise is a departure from Damon’s previous two novels, which were peripatetic in their global movement and range. Damon describes the ways in which this novel operates cinematically, as four flashes of a family’s long history, with the disembodied narrator being the one on the move. Damon provocatively divides novels into two traditions: those that provide consolation, and those that can provide true insight on the world but must do so with a cold distance. While he does not call The Promise an allegory, Damon admits to the fun that he has with inside jokes that play with allegorical connections, as long as the reader is in on the joke. Damon directly takes on his choice to leave a pregnant absence in the narrative’s insight into his black characters “sitting at the very heart of the book.”Mentioned in this Episode: The Promise, Damon Galgut (2021) The Good Doctor, Damon Galgut (2004) The Conservationist, Nadine Gordimer (1974) No Time Like the Present, Nadine Gordimer (2012) Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Tochi Onyebuchi’s new novel Goliath (Tordotcom, 2022) features a phenomenon familiar to those of us who live in cities—gentrification.Like the gentrifiers of today who push out old-timers with high rents and coffee boutiques, Onyebuchi’s urban colonizers are taking over property in communities that have suffered from underinvestment and systemic racism.But unlike gentrifiers of today, who often leave behind comfortable lives in the suburbs, the gentrifiers in Goliath are returning from comfortable lives on space stations where those with means had fled years earlier to escape pollution and environmental degradation on Earth.Onyebuchi sees in the story of David and Jonathan—returnees from who take over a home in a Black and Brown community in New Haven—parallels to frontier narratives.“I've read a lot of westerns and western-inflected literature, and the ways in which people have written about the American West were very fundamental in how I approached the characters of David and Jonathan. You have people going out west historically for all sorts of reasons. ‘Oh, that's where my fortune is.’ Or they're like, ‘Oh, like, there are no rules out there. I can totally remake myself.’”In David and Jonathan’s case, their relationship is broken. “They think, ‘Oh, if we just change the scenery, that'll make things better, we'll be able to start over.… We can make this work on Earth. It's virgin territory, this place where we can build something together.’ That in many ways is the animating impulse, of course, completely or almost completely disregarding the fact that Earth is already home to a lot of people.”Tochi Onyebuchi is the author of the Beasts Made of Night series; the War Girls series; and the non-fiction book (S)kinfolk. His novel Riot Baby—which he discussed on the podcast in 2020—was a finalist for the Hugo, Nebula, Locus, and NAACP Image Awards and winner of the New England Book Award for Fiction, the Ignyte Award for Best Novella, and the World Fantasy Award. He has degrees from Yale, New York University, Columbia Law School, and the Paris Institute of Political Studies.Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Teri M. Brown's novel Sunflowers Beneath the Snow (Atmosphere Press 2022) opens in 1973 with a Ukrainian man being spirited out of the USSR. He’s part of the resistance and his cover was blown. Ivanna, his wife is told that he died in another woman’s bed, and she never wants to hear his name again. Loyal to the Soviet Union, Ivanna manages to raise her daughter Yevtsye, who grows up, falls in love, gets married, and gives birth to a daughter, Ionna. Then Gorbachev comes to power and the Soviet Union collapses, leaving Ivanna in shock but offering hope to Yevtsye, Danya, and their daughter. The years pass, and Ionna wants to learn languages and see the world. She takes a job at an American summer camp and slowly overcomes the prejudices of the rest of the staff. Then the Soviet army invades Crimea, and she can’t get home, so she heads to New York City in hopes of blending into the large Ukrainian population. This is a story of resilience and courage.G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com) if you wish to recommend an author (of a beautifully-written new novel) to interview, to listen to her previous podcast interviews, to read her mystery book reviews, or to check out some of her awesome recipes. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Manuel Padilla Jr. spoke to me today in his very accessible yet historically conscious novel Coconut: Brown on the Outside, White on the Inside (Xlibris Publications, 2020) in which he depicts Latino culture while also considering politics, history, class and generational differences in the life of a Latino family in the Los Angeles of the 1960’s and 70’s. Through the unflustered logic of a five year old child we see the impact of racism and differentiation and we are made aware of the evolution of multiculturalism in the United States a country that was supposed to be the melting pot of races but where people are still thought of by their race.Manuel Padilla Jr. has over 36 years of professional writing experience in the media and publishing worlds, working as a newspaper reporter and editor; marketing, public relations and advertising professional; and public speaker. He has written pieces which have appeared in the Los Angeles Times and other publications. He was also a regular columnist for the Los Angeles Daily News.Minni Sawhney is a professor of Hispanic Studies at the University of Delhi. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

An interview with Hillary Jordan and Cheryl Lu-Lien Tan, editors of Anonymous Sex, a collection of 27 explicit sex stories unattributed to the 27 writers listed in the byline. Cheryl, Hillary, and I discuss how exactly you get writers like Louise Erdrich, Rebecca Makkai, Helen Oyeyemi, and Robert Olen Butler to contribute a story when the conceit is sex. We talk about the problem with stale erotica and the search for fresh language with which to talk about sex and desire, the necessity of understanding sex as culturally constructed, and so much more.Hillary Recommends: Michael Cunningham, Flesh and Blood ----. A Home at the End of the World Cheryl Recommends: Fumiko Enchi, Masks ----. The Waiting Years The Novels of Muriel Spark Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Starting a new historical mystery series is always fun, but summarizing one at book 7 creates a certain conundrum: how to convey the essence of a character and her development without giving away too much information?Since her first adventure in 1887 (A Curious Beginning, published in 2015), Veronica Speedwell, a lepidopterist by inclination and training, has had an exciting two years. Early in that book, she leaves a family funeral only to encounter a housebreaker and would-be abductor. She evades the villain with help from an unknown rescuer who promises to reveal a decades-old secret but dies before he can fulfill his promise. Veronica is nothing if not intrepid, and she flees London in the company of the unkempt and misanthropic Stoker. Together they attempt to discover who perpetrated the murder and why without falling under suspicion themselves.By 1889, Veronica and Stoker have tackled more than a few complicated cases. In An Impossible Impostor (Berkley Books, 2022), the head of Scotland Yard’s Special Branch asks them for help. Jonathan Hathaway supposedly died during the eruption of Krakatoa six years before, but he has returned from the grave—or has he? His putative grandmother identifies him, but other family members disagree. And the family owns a priceless parure that may be the newcomer’s real target. So off Veronica and Stoker go to Hathaway Hall, a gentry estate on the Devon Moors. There another piece of Veronica’s personal history surfaces when least expected, threatening her partnership with Stoker as well as her peace of mind.Deanna Raybourn has a gift for writing fast-moving, richly imagined, intriguing, and at times flat-out hilarious mysteries filled with well-rounded and opinionated characters at all levels. I can’t wait to find out where she will send Victoria and Stoker next.Deanna Raybourn is the bestselling author of two Victorian mystery series featuring Lady Julia Grey and Veronica Speedwell, as well as several stand-alone works. C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and three other novels. Her latest novel, Song of the Sinner, appeared in January 2022. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Mona Kareem speaks to managing editor Emily Everett about her essay “Mapping Exile: A Writer’s Story of Growing Up Stateless in Post-Gulf War Kuwait,” which appears in a portfolio of writing from the Arabian Gulf, in The Common’s fall issue. In this conversation, Mona talks about her family’s experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English.Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, the Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, and Specimen. She has held fellowships with Princeton University, Poetry International, the Arab American National Museum, the Norwich Center for Writing, and Forum Transregionale Studien. Her translations include Ashraf Fayadh’s Instructions Within and Ra’ad Abdulqadir’s Except for This Unseen Thread.Read Mona’s essay in The Common at thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait.Read her ArabLit essay about self-translation here. Read more at monakareem.blogspot.com.Follow her on Twitter at @monakareem.The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

An interview with Andrew Lipstein, author of the debut novel, Last Resort. Andrew and I discuss ownership over stories, the blurring of the commercial and the literary in contemporary publishing, the dread that accompanies a story that grows out of your control, and so much more.Andrew Recommends:Natasha Brown, AssemblySheila Heti, Pure ColorChris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In Green Unpleasant Land: Creative Responses to Rural England's Colonial Connections (PeePal Tree Press, 2021), Dr. Corinne Fowler explores the repressed history of rural England's links to transatlantic enslavement and the East India Company.“Historical and literary ideas about the countryside have shifted significantly in the last three decades. For a long time now, historians, social geographers and archaeologists have recognised that English rural landscapes are readable, showing up such things as Bronze Age forts and Roman roads. The countryside was not, until recently, considered to reveal much about the British empire. Nor was the empire seen as having much to do with enclosure, rural poverty or rural industry. All that has changed.”Combining essays, poems and stories, the book details the colonial links of country houses, moorlands, woodlands, village pubs and graveyards. Dr. Fowler, who herself comes from a family of slave-owners, argues that Britain's cultural and economic legacy is not simply expressed by chinoiserie, statues, monuments, galleries, warehouses and stately homes. This is a shared history: Britons' ancestors either profited from empire or were impoverished by it. The legacy of empire is expressed by potent language, literary culture and lasting ideas, not least about the countryside. “The book sets out to explore the connections between historical studies and imaginative literary attempts to rethink English rurality. It demonstrates how Black British and British Asian writers (who are inevitably also readers) have addressed and challenged a sense of rural exclusion within the context of shifting sensibilities about the countryside in writing from the sixteenth-century to the present.”This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature