New Books in Literature

In In Praise of Good Bookstores (Princeton University Press, 2022), Jeff Deutsch, the director of the Seminary Co-op Bookstores in Chicago, aims to make the case for the value of spaces devoted to books and the value of the time spent browsing their stacks. It is a defense of serious bookstores, but more importantly, it is a paean to the spaces that support them; the experience of readers as they engage with the books, the stacks, and each other; and the particular community created by the presence of such an institution. Drawing on his lifelong experience as a bookseller and his particular experience at Sem Co-op, Deutsch aims, in a series of brief essays, to consider how concepts like space, time, abundance, measure, community, and reverence find expression in a good bookstore, and to show some ways in which the importance of the bookstore is both urgent and enduring. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

An interview with Jennifer Egan, winner of the Pulitzer Prize and the National Book Critics Circle Award, and author most recently of The Candy House (Scribner, 2022), the story of the intersections across space and time of characters desperate to understand their interior lives. At the hub of these stories, a machine capable of capturing and sharing memories, and even offering the possibility of joining a collectivity of consciousness. Jennifer Egan, as always, balances perfectly the profound intellectual problems of existence with characters who feel deeply real by virtue of their uncommon minds. We get to talking about how her process is one of discovery through the unconscious practice of writing, and the ways in which certain ideas of what the reader should feel and experience guide her structure. We discuss her creation of the futuristic machine in The Candy House that, in the end, fashions what only the novel can produce: a window into the minds and memories of another. On the subject of movement back and forth through time and place, Jennifer credits a marvelous children’s novel for the concept of parallel worlds into which characters can dip in and out of. In an incredibly wide-ranging discussion, we touch upon Dungeons and Dragons, the longest and possibly best 18th century novel, the possibility of reading The Candy House as the predecessor to A Visit from the Goon Squad, and so much more.Jennifer Recommends: Lauren Groff, Matrix Samuel Richardson, Clarissa Rye Curtis, Kingdomtide Henry Fielding, Tom Jones Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Get ready for a cruel dark world of abnegation and revenge, featuring a woman who struggles to achieve psychic integration after a succession of betrayals. Like a Westworld written by Edgar Allen Poe, Bone Orchard (Tor Books, 2022) comes with its own charming brothel owner, whose name actually is Charm.Charm’s free will is limited by an implant, and her memory damaged. Her dying lover/captor, the old Emperor, assigns her two final tasks which she must complete to win her freedom. She must punish his poisoner and find a worthy person—not one of his sons—to serve as the next emperor.Charm’s girls at the brothel are also her helpmates. They were grown in vats from assemblages of bones. That doesn’t mean they don’t have feelings, though. Like Charm, they are named after emotions. Pride mostly stands behind the reservation desk, looking cool and composed, while Shame is damaged early on in the game by one of the Emperor’s sons, the cruel Prince Phelan. And Pain—well, she has an especially hard time of it. Her role is to accept the pain of others, leaving them relieved of discomfort.Behind all those linked girls lurks the spirit of a mysterious and gentle woman, the architect of their lives, referred to as the Lady, who shares Charm’s body with her. The Lady must be shielded from the terrible things that happen, but occasionally she comes out of the shadowy recesses of their shared consciousness to mend her creations.This is just the opening set up of this complex and original novel, that continues to introduce flawed conniving characters to create a chessboard of moves and countermoves.A seamstress and horsewoman, Sara A. Mueller writes speculative fiction in the green and rainy Pacific Northwest, where she lives with her family, numerous recipe books, and a forest of fountain pens. In a nomadic youth, she trod the earth of every state but Alaska and lived in six of them. Fun fact: Her family once moved out of a house on the same day they’d moved into it, exactly one year later. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Shola von Reinhold is the author of LOTE, a novel about getting lost in the archives and finding what the archives have lost. LOTE won the 2021 James Tait Black prize so who better to join Shola on Novel Dialogue than Ben Bateman of Edinburgh University, lead judge of the prize committee? This conversation takes listeners back to all yesterday’s parties as Shola, Ben, and Aarthi time travel to the Harlem Renaissance and the interwar modernist era. Shola offers up Richard Bruce Nugent as their current figure of fascination (or “transfixion” to use a key image from LOTE), and wonders what it would have been like to move through Harlem and London by Nugent’s side.Recovering the stories of black writers and artists is essential to Shola’s literary project. It is also inseparable from restoring queerness to the once hyper-masculine and “muscular” paradigm of modernism. In a stirring discussion of the aesthetic forms and moods of historical recovery, Ben and Shola sink into the “purpleness” of the fin-de-siècle and explore the critical power of black sensuousness. Talk of decadence, ornamentality, and frivolity shapes the latter half of this episode, and Doris Payne, the West Virginian jewel thief, emerges as an exquisitely improbable modernist heroine!Mentioned in this episode:-Richard Bruce Nugent-Dorothy Heyward and DuBose Heyward, Porgy-E.M. Forster-David Levering Lewis, When Harlem was in Vogue-Saidiya Hartman-Benjamin Kahan, The Book of Minor Perverts-James Joyce, Ulysses-Willa Cather, “Paul’s Case”-Ornamentality via Kant, Hegel, and Adolf Loos-Susan Sontag-Doris Payne – a.k.a “Diamond Doris”-Édouard GlissantAarthi Vadde is Associate Professor of English at Duke University. Email: aarthi.vadde@duke.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

What does it mean to be normal? What even is normal? It’s a strange concept, dependent entirely on context and yet, in spite of this flexibility, it’s an inescapable word. Try as we might, we can’t seem to escape it, even as it seems to collapse under critical scrutiny. So again, what does it mean to be normal? And is normal even something we should try to be?This is an animating question for Phil Christman in his new essay collection How to be Normal: Essays (Belt Publishing, 2022), a collection of previously published writings of the last few years. A sort of companion-piece to his previous book Midwest Futures, these essays are simultaneously fascinated by and skeptical of all the ways normal dominates our public discourse, especially in the wake of the COVID pandemic, where a return to normal has loomed over us as the most important achievement we can aim for. Christman tries to get beyond this imperative, and in a series of reflections on masculinity and gender, race and whiteness, religion and faith, culture, irony, love and family he tries get beyond the existential and social imperatives of some presumed normality and think critically about what true flourishing would look like, about the sort of people we’d all actually want to be.Phil Christman teaches writing at the University of Michigan. His first book, Midwest Futures, was a Commonweal Notable Book of 2020, a finalist for a Midwest Independent Book award, and winner of the Independent Publisher Awards' 2020 Bronze Medal for Great Lakes Nonfiction. His writing has appeared in a number of outlets, including The Hedgehog Review, Commonweal, Paste, and Plough Quarterly. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I talked to Joan Schweighardt about her novel River Aria (Five Directions Press, 2020).It’s 1928 and Estela Euquério Hopper, of Manaus, Brazil, is the star vocal pupil of a world-renowned musician who’d come to revive a magnificent opera house. It had been erected during the heady years when rubber seemed likely to change Brazil’s fortunes. Those days ended, and most of the population is poor and struggling. Estela has grown up among the “river brats,” but she was fortunate to have a magnificent voice, a stellar musical education, and an American father. She’s got a job offer from the Metropolitan Opera House, but it’s only to work in the sewing room. And her cousin JoJo, another river brat and a talented artist, is going to accompany her across the ocean. But secrets threaten to destroy her plans, the heady days of Prohibition are about to come to an end, and the stock market is about to crash.Joan Schweighardt studied English Lit and Philosophy at Suny New Paltz, NY and is the award-winning author of The Accidental Art Thief, The Last Wife of Attila the Hun, Virtual Silence, and other novels. Before We Died, Gifts for the Dead and River Aria make up her river series, whose stories unfold against an early 20th century backdrop that includes the South American rubber boom, the Great War (as experienced in Hoboken, NJ) and the beginnings of the Great Depression. The stories deal with themes of grief, loss, love, immigration, assimilation and more. Joan also wrote a book for children, No Time for Zebras (Waldorf Publishing 2019), about a mother and son, with drawings by artist Adryelle Villamizar. Schweighardt worked for many years as a freelance writer, a ghostwriter, a literary agent, and the publisher of a small company with a list of award-winning books. When she’s not reading or writing her own books, she enjoys collaborating with other writers, and also loves to hike, bike, travel, and paint with oils.I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb dot com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

This is a story of America! Lynden Hoover, a young man on the brink of a new beginning, cannot embrace it without confronting the traumas of his past. Help comes from The Duke, an old loner who calls America's landscape his home. He clings to an honor code, but in fleeing from Short Arm, his merciless enemy, his code is being tested.At the end of the 20th century few Knights of the Road still cling to their vanishing lifestyle. The Duke mentors Lynden, enlisting old traveling friends to keep himself and his apprentice just ahead of Short Arm's relentless pursuit. When two of those friends are murdered, the stakes become life or death.Bonds are formed, secrets exposed, sacrifices made, trusts betrayed - all against a breathtaking American landscape of promise and peril. Three unforgettable characters, hurtling toward a spellbinding climax where pasts and futures collide, and lives hang in the balance.With The Last Professional (Artemesia Publishing, 2022), Davis has done for American railroads what Kerouac did for American highways, and Steinbeck did for American nomads. Jerry Cimino, Founder of The Beat Museum Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Shubha Sunder speaks to managing editor Emily Everett about her story “A Very Full Day,” which appears in The Common’s fall issue. In this conversation, Shubha talks about writing stories set in India, and how she built out the insular world of Indian retirees that “A Very Full Day” centers on. She also discusses teaching creative writing to undergrads, her revision process, and her forthcoming collection of stories Boomtown Girl, which won the St. Lawrence Book Award.Shubha Sunder's debut short story collection, Boomtown Girl, won the St. Lawrence Book Award and is forthcoming from Black Lawrence Press. She has published stories and essays in New Letters, The Common, Narrative Magazine, Michigan Quarterly Review, Catapult, Crazyhorse, and elsewhere. Her fiction has received honorable mention in The Best American Short Stories, won the Crazyhorse Fiction Prize and Narrative "30 Below," and been shortlisted for The Flannery O’Connor Award, The Hudson Prize, and The New American Fiction Prize. She is a recipient of the Massachusetts Cultural Council Fellowship and the City of Boston Artist Fellowship. She teaches creative writing at GrubStreet and at Massachusetts College of Art and Design.Read Shubha’s story in The Common at thecommononline.org/a-very-full-day.Read more at shubhasunder.com.The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The city of Dublin, with its ancient cobblestones, historic pubs, and legendary river Liffey, has been a source of inspiration for writers and poets for centuries. Though it might provide a creative buzz, modern city existence can often prove exhausting for the contemporary poet constantly bombarded with new sights, sounds, and smells, as well as the increasing pull of technology, with smartphone apps and messages vying for attention, offering new ways of interacting with the history of the city, or with imagined versions of it. Adam Wyeth’s new experimental poetry collection about:blank (Salmon Poetry, 2021) takes the city of Dublin as its setting and depicts the pressures of contemporary urban life by expanding the poetic form to include a variety of genres and short forms: monologue, dialogue, and instructions for yoga poses. These narratives are interwoven to give readers a remarkable impression of contemporary human existence and the ways that human consciousness is shaped by myth, literary references, music, technology, and lived environments.Wyeth’s clever and thought-provoking book of poetry—the title itself a reference to the message that appears in internet browser’s address bar to indicate an empty web page—meditates on what it means to be a writer in an ever-changing world and touches on philosophical questions surrounding identity, selfhood, and the absurdity of existence. B ridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies.Twitter feed: https://twitter.com/bridgetrenglis2 Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In Disorientation: A Novel by Elaine Hsieh Chou (Penguin Press, 2022), we meet Ingrid Yang: an eighth-year PhD student in East Asian studies struggling to write a dissertation on (fictional) canonical Chinese American poet Xiao-Wen Chou. Her situation is made all the more distressing by the fact that her student loan deferral is soon to expire, and it’s dawning on her that she was never interested in Xiao-Wen Chou in the first place—rather, her advisor convinced her that this would be a good topic for a marketable dissertation. Then one day, a strange note in the archives leads her to a shocking discovery. What is it? What happens? You’ll have to read Disorientation to find out.Tune in to this episode of the New Books Network podcast to hear Elaine Hsieh Chou discuss the inspiration for Disorientation, how liberating it felt to have the last word on toxic white men, the difficulties of finding institutional space for Asian American studies, the continued importance of the legacy of the Third World Liberation Front, the joys and challenges of writing complex and flawed Asian American characters, Ingrid’s journey towards healing post-grad school, and more.Elaine Hsieh Chou is a Taiwanese American writer from California. She holds an MFA from NYU where she was a Rona Jaffe Foundation Graduate Fellow, and she was once in—and dropped out of—a PhD program.Jennifer Gayoung Lee is a writer and data analyst based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature