New Books in Literature

Ben Stroud speaks to managing editor Emily Everett about his story “Three Omens of Federico da Montefeltro,” which appears in The Common’s spring issue. The story fictionalizes a moment in the lives of historical figures from fifteenth-century Italy. In this conversation, Ben talks about finding his interest in writing stories set in ancient and medieval times, and what kind of research and play is required to blend fact and fiction in those stories. He also discusses his process for revising his work and teaching creative writing.Ben Stroud is the author of the story collection Byzantium, which won the 2013 Story Prize Spotlight Award and the Bread Loaf Writers’ Conference Bakeless Prize for fiction. His stories have been published in Harper’s, Zoetrope, Virginia Quarterly Review, Oxford American, VICE, and One Story, among other places, and have been anthologized in the Pushcart Prize Anthology, New Stories from the South, and The Best American Mystery Stories. He is currently associate professor of English and creative writing at the University of Toledo.Read Ben’s story in The Common at thecommononline.org/three-omens-of-federico-da-montefeltro.Follow Ben on Twitter at @bencstroud.The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

A trained killer without a drop of human compassion shows up early in Laurie Buchanan’s second Sean McPherson thriller (Iconoclast (Spark Press 2022)). She has no problem murdering a woman and taking her place at a writer’s retreat in beautiful Washington State. But she’s controlled by a Seattle-based crime family that is spreading its tentacles across the Bellingham Bay, a perfect location for trafficking drugs and people across the Pacific Ocean. The book opens with the murder of a priest, who turns out to be the brother of the retreat’s proprietor, and a gourmet cook. The lovely Pine and Quill offers several cabins, one for each writer, and enticing-sounding gourmet meals. The iconoclast is there to kill someone who might know too much, and it takes some time before Sean McPherson, a former cop, is pulled in. Can he save his fiancé and protect the other guests?Laurie Buchanan, who earned a PhD in Holistic Health with a emphasis in energy medicine from National University of Natural Medicine in Portland, Oregon, writes the Sean McPherson novels— fast-paced thrillers set in the Pacific Northwest that feature a trifecta of malice and the pursuit and cost of justice. A cross between Dr. Dolittle, Nanny McPhee, and a type-A Buddhist, Buchanan is an active listener, observer of details, payer of attention, reader and writer of books, kindness enthusiast, and red licorice aficionado. Her books have won multiple awards, including Foreword INDIES Book of the Year Gold Winner, International Book Award Gold Winner, National Indie Excellence Awards Winner, Crime Fiction/Suspense Eric Hoffer Awards Finalist, PenCraft Award for Literary Excellence, and CLUE Book Awards finalist Suspense/Thriller Mysteries. In addition to reading, her passions include long walks, bicycling, camping, and photography— because sometimes the best word choice is a picture.G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Hello, this is Eric LeMay, a host on New Books in Literature, a channel on the New Books Network. Today I interview Kathleen Rooney about her new collection of poems, Where Are the Snows (Texas Review Press, 2022). The book takes its title from the famous refrain of François Villon's 15th Century poem "Ballad of the Ladies of Times Past." Like that poem, the book wonders, "Where are they?" as in "Where are the ones who came before us?"—the beautiful, the strong, the virtuous, all of them? In keeping with that long tradition, these poems offer a way to think about life's transience—its beauty, its absurdity, and of course its mortality. Allusive and associative, anti-capitalist, and unapologetically political, aligned somewhere between comedy and anger, this poetry juxtaposes the triumphs and tragedies (mostly tragedies) of our current age with those of history, and—by wondering "Where are they?"—explores the questions of where we are now and where we might be going. Join me in encountering the keen and brilliant novelist, critic, editor, and poet, Kathleen Rooney.Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Alice Elliott Dark is the author of the novels Fellowship Point and Think of England, and two collections of short stories, In The Gloaming and Naked to the Waist. Her work has appeared in, among others, The New Yorker, Harper's, DoubleTake, Ploughshares, A Public Space, Best American Short Stories, Prize Stories: The O.Henry Awards, and has been translated into many languages. "In the Gloaming," a story, was chosen by John Updike for inclusion in The Best American Short Stories of The Century and was made into films by HBO and Trinity Playhouse. Her non-fiction reviews and essays have appeared in The New York Times, The Washington Post, and many anthologies. She is a recipient of a fellowship from the National Endowment for the Arts and an Associate Professor at Rutgers-Newark in the English department and the MFA program.Books Recommended in this episode: Fellowship Point (Simon and Schuster, 2022) Alice Recommends: Elena Ferrante, The Neapolitan Quartet Jean Stafford, The Catherine Wheel Willa Cather, The Professor’s House Joanne Beard, Festival Days Mary Oliver, Upstream Rebecca Solnit, Orwell’s Roses Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

After author Judith Berlowitz found both Gestapo and Soviet records about a relative named Klara Philpsborn, she began thinking about writing Home So Far Away (She Writes Press 2022). Set in diary form, the novel opens in 1925 with a visit from Berlin to an uncle living in Sevilla, Spain. "Onkle" Julius has not told his wife and children that he is Jewish, so his visiting family can only celebrate a quiet, hidden Passover, but Klara is intrigued by the language, food, and culture of Spain. A few years later, she takes a job as a chemist in Madrid. 1n 1936, when the Spanish Civil War breaks out, Klara, now Clara, enlists and ends up putting both relationships and her life at risk. Although she must hide her Jewish and communist identity in Spain, Clara is passionate about fighting for human rights and equality. The tale ends in 1938, just as the Nazi movement is picking up steam in Clara’s homeland.Los Angeles-born genealogist Judith Berlowitz fluttered through various career phases before settling on historical fiction as her life’s work. Tools acquired during all these phases are visible in her debut novel, Home So Far Away (She Writes Press, 2022). Her years as a musician (classical guitar, oboe, singer, arranger), language teacher (Spanish), cultural studies teacher, tour guide, peace activist, and genealogist converge in a fictional diary about a relative from Germany in the Spanish Civil War. Judith lives in San Francisco with her husband and sings in the San Francisco Bach Choir while serving as a volunteer curator with the genealogical website, Geni.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

A longtime Institute member, Katha Pollitt is an American poet, essayist and critic. She is the author of four essay collections and two books of poetry. Her column for The Nation magazine, “Subject to Debate” won a National Magazine Award in 2003.In this episode from the Institute’s Vault, Pollitt talks about her 2007 book, Learning to Drive: And Other Life Stories, a collection of personal essays. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Anu Kumar speaks to managing editor Emily Everett about her essay “The Woman in the Well,” which appears in The Common’s spring issue. Anu talks about the vivid memories from childhood that inspired this essay about ghosts, fear, family dynamics, and violence against women in India. She also discusses the revision process for the essay, her interest in writing women’s untold stories, and her current writing projects.Anu Kumar’s most recent works are the novel The Hottest Summer in Years and the collection A Sense of Time and Other Stories. Her nonfiction work on the lives of early South Asians in America appears this year from Simon & Schuster India and Yoda Press. Her work has appeared or is forthcoming in The Maine Review, Chicago Quarterly Review, Numéro SANK, Past Ten,TheJuggernaut.com, Atlas and Alice, and elsewhere. She lives in New Jersey and has an MFA from Vermont College of Fine Arts.­­Read Anu’s essay “The Woman in the Well” in The Common at thecommononline.org/the-woman-in-the-well.Follow Anu on Twitter @anuradhakumar01.The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Twelfth-century Europe was not a good time or place to be born female. Even queens had few rights, garnered little respect, and were tolerated largely for their ability to produce male heirs—preferably in quantity and without exhibiting any unfortunate qualities such as independence or intelligence. One notable exception was Eleanor of Aquitaine, queen of England thanks to her marriage (following a scandalous affair and divorce) to Henry II of England—although Eleanor spent many of her later years imprisoned by her no longer loving husband, who suspected her of conspiring with their sons against him.In The Falcon's Eyes (Harper, 2022), Eleanor appears first as a shining if distant example for Isabelle, a young countess whose impoverished family is delighted to marry her off to the wealthy if less distinguished Gerard de Meurtaigne. Isabelle initially welcomes the match, but her new husband soon shows a disturbing need for control over his dependents, including his wife. Budding friendships with her maid, her steward, and even the noble Lady Fastrada attract Gerard’s ire, leaving Isabelle yearning for the one sure escape available to medieval women: the convent. Specifically, she longs to join the convent at Fontevraud, which attracts both nuns like Lady Fastrada’s sister and well-endowed laywomen in search of a quiet refuge. But she never expects to find herself face-to-face with Eleanor of Aquitaine.Francesca Stanfill’s multilayered story offers a rich and absorbing picture of medieval life at all levels, from the sorceress living in a hut in the woods to the falcons’ mews and the exigencies of travel. Her sure hand and light touch make this both a memorable and an enjoyable read.Francesca Stanfill’s previous novels are Shadows and Light and Wakefield Hall. Her enduring fascination with Eleanor of Aquitaine inspired The Falcon’s Eyes.C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and three other novels. Her latest novel, Song of the Sinner, appeared in January 2022. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Our first August rebroadcast was John and Pu's 2019 interview with SF superstar Cixin Liu (you may want to re-listen to that episode before this one!). Here, they reflect on the most significant things that Liu had said, and to ponder the political situation for contemporary Chinese writers who come to the West to discuss their work.They consider whether our world is like a cabinet in a basement, and what kind of optimism or pessimism might be available to science fiction writers. They compare the interview to a recent profile of Liu in The New Yorker, and ponder the advantages and disadvantages of pressing writers to weigh in on the hot-button topics of the day.Discussed in this episode: Cixin Liu, The Three Body Problem, The Dark Forest, and Death’s End Jiayang Fan, “Liu Cixin’s War of the Worlds” (New Yorker interview/profile) Yuri Slezkine, The House of Government: A Saga of the Russian Revolution Isaac Asimov, The End of Eternity George Melies (dir.), A Voyage to the Moon Fritz Lang (dir.), Metropolis Frant Gwo (dir.), The Wandering Earth Ivan Goncharov, Oblomov Transcript available here.Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I talked to Mark Andryczyk, translator of Volodymyr Rafeyenko’s novel Mondegreen: Songs about Death and Love (Harvard Ukrainian Research Institute, 2022).A mondegreen is something that is heard improperly by someone who then clings to that misinterpretation as fact. Fittingly, Mondegreen: Songs about Death and Love explores the ways that memory and language construct our identity, and how we hold on to it no matter what.The novel tells the story of Haba Habinsky, a refugee from Ukraine’s Donbas region, who has escaped to the capital city of Kyiv at the onset of the Ukrainian–Russian war. His physical dislocation—and his subsequent willful adoption of the Ukrainian language—place the protagonist in a state of disorientation during which he is forced to challenge his convictions.Written in beautiful, experimental style, the novel shows how people—and cities—are capable of radical transformation and how this, in turn, affects their interpersonal relations and cultural identification. Taking on crucial topics stirred by Russian aggression that began in 2014, the novel stands out for the innovative and probing manner in which it dissects them, while providing a fresh Donbas perspective on Ukrainian identity.Nataliya Shpylova-Saeed is a PhD candidate in the Department of Slavic and East European Languages and Cultures, Indiana University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature