New Books in Literature

The Prey of the Gods, published by Harper Voyager on June 13th, is Nicky Drayden‘s debut novel, though she’s published many short stories. It’s a compassionate work, despite a neglected blood-thirsty goddess and an ancient spirit who assaults women in their dreams, in order to father his brood. Though set in 2064, boys are still boys, impulsive, playful, and needing to be brave. Families are still families, with traditional grandfathers hoping to share their ways with their descendants, although elders and parents often pose the greatest danger. Boisterously mixing mythology and science fiction, the novel moves along from multiple perspectives, keeping the ball rolling. Be sure to pay attention to the old man’s story about the mythological offspring he had; it serves as a framework to understand various characters and their newly acquired powers. Between cross-dressing politicians, a fashion-obsessed demon, and a bot revolution, there’s never a dull moment in Cape Elizabeth. An extravaganza of monstrous hybrid beasts, theatrical costumes, and riotous battles. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Whether you’re on the right or the left of the political spectrum, I’ll bet that lately the Office of the President isn’t far from your mind. Every day, it seems, I encounter one, two, three, four stories about President Trump, which includes those on Twitter that he posts himself. For me, as the stories keep coming, so do the questions. Who is this guy? How is this guy President? And, by extension, just who can be President–what kind of character or lack of character makes a person right for the Office? My questions aren’t new, even if our current President raises them in new and, for me at least, disturbing ways. Theres an entire subgenre of literature devoted to them. The presidential biography aims to give readers a sense of who a given President is, of the man behind–and before–the Office. These biographies are usually cradle-to-grave tomes or at least cradle-to-end-of-term, written with the idea that a President’s early life somehow shapes his political destiny. Theres even a version of this subgenre written for children, so kids can learn how to be like the young George Washington or the young Abe Lincoln, confessing about a chopped cherry tree or returning a penny to an old lady. Here the idea is that, if our kids model themselves on the early characters of these Presidents, they too might someday hold our nation’s highest office. In his latest book, Forty-Four American Boys: Short Histories of Presidential Childhoods (Outpost19, 2017), William Walsh explores not only these assumptions, but also the literature that’s built upon them. To create it, he read through hundreds and hundreds of presidential biographies, from Washington to Trump, and out of that experience assembled a singular book, one that takes us across 285 years of American history and into the boyhoods of forty-four men who shaped it, since 1801, from The White House. The result is fascinating: Walsh didn’t write a single word of it, and yet his book is clearly the result of a consummate literary talent. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The Gibbs Smith motto is “to enrich and inspire mankind.” Since 1969, the publishing house has become known for creating smart, stylish, sophisticated books. This has included books on architecture and design as well as cooking, holiday and children’s books. Among their most popular series are the BabyLit books, designed to foster a love of great literature at a an early age. Imagine sharing classics like Jane Eyre, Moby Dick, and The Odyssey with the very youngest kids hard to envision, but the BabyLit books do it amazingly well, fulfilling the company’s objective “to create things for brilliant babies.” Publisher Suzanne Gibbs Taylor talks about inspiration for that line and their other books for children. Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have included National Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’s Book Writers and Illustrators (SCBWI). She’s also a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Florida’s Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: https://twitter.com/sraab18 Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

It’s January 1935. Prohibition has just ended, but the Great Depression has not, and much of Chicago remains under the grip of the crime lords who profited from the trade in illegal liquor. Eighteen-year-old Henrietta von Harmon, despite her aristocratic name, struggles to keep food on the table for her overwhelmed mother and seven younger siblings. After too many evenings spent cleaning, peddling drinks, and keeping score for dicers at a local bar, Henrietta jumps at the chance to double her income by taking a new job at a nightclub, where she dances with customers for hours. Too bad she cannot share the story with her family, who would be scandalized at the potential damage to her reputation if they knew. Then her boss turns up dead, and the customer to whom she is most attracted reveals that he works as a detective for the Chicago Police. The search for the murderer leads Henrietta into even more unsavory circumstances, and soon she’s wondering whether even the police can keep her safe. In A Girl Like You: A Henrietta and Inspector Howard Novel (She Writes Press, 2017) and its sequel, A Ring of Truth, Michelle Cox introduces a rich cast of characters and a lovable heroine just trying to make her way in a cold and unforgiving world. C. P. Lesley is the author of six novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, and The Swan Princess), a historical fiction series set in 1530s Russia, during the childhood of Ivan the Terrible. Find out more about her at http://www.cplesley.com.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Assaph Mehr‘s Murder in Absentia: A Story of Togas, Daggers, and Magic (Purple Toga Publications, 2015) is Egretia, a town in a fantasy world modeled on the Roman Empire, and the occasion is the crime of murder. Felix the Fox, our narrator, is a detective with some extra talents. Not only is he good at winkling out information, watching people and drawing conclusions, but he’s also familiar with magic–both the kind thats allowed in his homeland, and the more dangerous, forbidden kind. Magic can be dangerous. Felix’s former best friend, now an uncanny beggar with frightening eyes, was a talented sorcerer, before things went wrong. When Felix investigates a secret ring of sorcerers that he suspects are responsible for the horrific death of a rich mans son, he is forced to rely on his old friend, as well as a network of associates, his loyal servant, and an alluring damsel or two. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Roy Bing Chan‘s new book explores twentieth-century Chinese literature that emphasizes sleeping and dreaming as a way to reckon with the trauma of modernity, from the early May Fourth period through the end of the Cultural Revolution in the late 1970s. Informed by theoretical engagements with Russian Formalism, semiotics, psychoanalysis, Marxism, affect studies, and more, The Edge of Knowing: Dreams, History, and Realism in Modern Chinese Literature (University of Washington Press, 2017) considers how time was transformed with the rise of capitalist modernity, and illustrates the significance of a language of dreams and dreaming as writers sought to cope with this transformation and its consequences. Chan offers careful readings of the work of several writers as a way to tell this story, from Lu Xun’s prose poetry to fiction by Mao Dun, Yang Mo, and Zong Pu. Chan concludes by reflecting on how this context might inform how we understand the notion of the Chinese Dream, and arguing that paying attention to the materiality of literary texts can help us discover the aesthetic resources for articulating hope. It’s a fascinating study that makes significant contributions to how we understand the relationship between time, dreaming, and materiality in modern literature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

As our name makes clear, the New Books Network focuses on books. And as a host who looks at contemporary literature, I have the pleasure of interviewing authors with new books, ones often published by smaller presses without the huge PR machines of larger presses and ones that consequently are often overlooked by larger media outlets. For me, thats one of the rewards of hosting at the New Books Network: I have the chance to showcase important work that you might otherwise miss, work that adds to the richness and diversity of our national literary culture. Now you might be thinking that I’m about to ask you for a donation. I’m not. Though if you want to contribute to the New Books Network and its public mission to widen the intellectual life of America, by all means please do so. We’d appreciate it. No, what I want to do is make the point that, while books from small literary presses are one place that our literary culture thrives, it’s not the only one. Crucial to our national literature are the small journals and reviews that publish our writers. These venues–and there are hundreds of them in print and, increasingly, online–foster our younger writers and promote the work of our established one, especially work that is non-commercial or experimental. Literary journals and reviews offer readers diverse voices and diverse aesthetics. They’re the forum through which our literary culture thrives and expands and reinvigorates itself. And they are usually run by editors who work for almost nothing, on almost-nothing budgets, editors who believe in literature as much as the authors they publish. Today I talk to one of those editors. Tommy Mira y Lopez is the co-founder and co-editor of Territory, a new venue that has not only taken up the time-honored task of providing readers with new work from newer writers, but that’s also creating something like a new micro-genre of literature, one that combines visual maps and literary text. If you’ve ever found yourself looking at an old map and thinking how intriguing it is or, when reading a story, if you’ve ever imagined yourself picturing its imaginary landscape, you’ll be excited to explore Territory and the new terrains of literature its fostering.     Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

As an African-American child growing up in the segregated pre-Civil Rights South, Sarah Bracey White pushed against the social conventions that warned her not to rock the boat, even before she was old enough to fully understand her urge to defy the status quo. In her candid and poignant memoir, Primary Lessons (CavanKerry Press, 2013), White recalls a childhood marked by equal measures of poverty and pride–formative years spent sorting through the “lessons” learned from a complicated relationship with her beloved, careworn mother and from a father’s absence engendered by racial injustice and compromised manhood. Although born in Sumter, South Carolina, Sarah spends much of her first five years in Philadelphia in the care of her bighearted Aunt Susie and her husband, Uncle Whitey. As her parents fourth daughter, she has been sent north to ease her family’s financial burden, freeing her mother to work as a schoolteacher. Young Sarah loves her life in Philadelphia, and is devastated when her mother comes to retrieve her and take her back to a home she has never known. There, she is shocked and confused to encounter strange signs that read “colored only” and to be told for the first time that black people must behave a certain way around white people and accept their lot as second class citizens. “The point of any successful memoir is to discover what the speaker learns on their journey,” writes Kevin Pilkington, author of Ready to Eat the Sky and The Unemployed Man Who Became a Tree, in his foreword to Primary Lessons. “[I]t is a trip worth taking when it teaches and enlightens and encourages me to revisit and solidify profound truths I already know to be true. Sarah Bracey Whites journey is a continuous struggle to find her way, a struggle I found both difficult and inspirational. Martin Luther King, Jr. said that ‘injustice anywhere is a threat to justice everywhere.’ Young Sarah becomes aware of this at an early age, realizing being born poor and black is not the measure of a persons value.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

So many people hope to find the perfect soul mate, but suppose you do, only to lose the person you love just as your life together is getting off to a beautiful start? Faye Morgan reacts by tumbling into a new marriage with her first husband’s best friend. After all, the bills pile ever higher, and her husband’s unborn child can’t come into the world without health insurance. The best friend is eager to help, but as time goes by, they both realize it takes more than need and a shared but unexpressed grief to make a partnership. Faye leaps at the chance to resume her career as a photographer, and as she travels around South Carolina’s coastal island, her mourning finds an outlet and hope creeps back into her life. In the old town of Beaufort, she encounters the legend of a lighthouse keeper’s daughter who drowned as a young woman. Compelled to learn more, Faye finds a photograph in the town archives and discovers that the lighthouse keeper looked just like her first, lost husband. She feels drawn to the lighthouse, and while visiting it at night, she is literally pulled into the past. But the year 1921 poses many challenges to a girl from the future accustomed to buying her food in plastic packages from the supermarket, storing it in a refrigerator, and cooking it on modern appliances. No antibiotics, no traffic laws, no electricity on the island, no equal treatment for women or people of color. Yet there is the lighthouse keeper, with his resemblance to Faye’s lost love. Will she stay? Can she stay? And what difficult tasks must she perform before she really has a choice? In The Night Mark (Mira Books, 2017), Tiffany Reisz has created a beautiful tale of love, loss, and recovery when life seems to offer nothing but shoals except for that steady, pulsing beam of light in the dark. C. P. Lesley is the author of six novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, and The Swan Princess), a historical fiction series set in 1530s Russia, during the childhood of Ivan the Terrible. Find out more about her here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The House of Binding Thorns (Ace, 2017), Aliette de Bodard‘s novel set in a turn-of-the-century Paris devastated by a magical war, is the follow up to The House of Shattered Wings, which won the 2015 British Science Fiction Association Award. The books are set in an alternate Paris, where dragons and other sea-creatures drawn from Vietnamese mythology control the river Seine, and the Fallen, ruthless angels expelled from heaven, control everything else. The reader is enveloped in gossamer threads of dread, as she reads about the struggles of various characters to escape domination and cruelty. Both the dragon kingdom and the Houses of the Fallen offer nuanced gradients of aggression; there is no refuge for the powerless. A pregnant Vietnamese woman, an immortal from Asia who lost most of his power, and a French woman who is addicted to the magic found in angel bones, all try to find their way among the shifting alliances, subterfuges, and occasional rewards of a decaying and rotting city. This is low fantasy: magic mixed with political machinations, the ethereal mixed with the pain of labor. With the plot occasionally taking a backseat to setting, there is nothing for it but to give yourself over to the heavy, evocative atmosphere, and let it subjugate you with its hypnotic cloud of magic. Ms. de Bodard’s observant eye captures the subtleties of various cultures, genders, and fantastical creatures in a believable and visceral way. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature