New Books in Literature

The technological “singularity” is a popular topic among futurists, transhumanists, philosophers, and, of course, science fiction writers. The term refers to that hypothetical moment when an artificial superintelligence surpasses human intelligence, leading to runaway—and unpredictable—advances in technology. Among the biggest unknowns is whether or not the superintelligence will turn out to be benign of malevolent. “All sorts of visions arise, one of which might be the total annihilation of humanity by [artificial intelligences] and robots. Another might be that we all get to live forever as the robots and A.I.s overcome aging and help us launch into space,” Douglas Lain says. To some, Lain’s vision of the singularity in Bash Bash Revolution (Night Shade Books, 2018) might sound benign. It involves an idealistic government scientist, who designs an artificial intelligence named Bucky to prevent the apocalypse; in short order, Bucky decides the best way to do so is by enticing people to play augmented-reality video games. But things turn dark when people abandon their ordinary lives—including jobs and families—to don virtual-reality headsets and become their favorite characters in retro video and arcade games. Told through the social media posts of the son of Bucky’s inventor, Bash Bash Revolution is set in today’s America, with Donald Trump serving as Bucky’s most urgent problem. “It’s a race between Trump’s stupidity and the A.I.’s ability to transform society to make Trump irrelevant. That was certainly how [Bucky’s inventor] conceived of it. His task was to help the A.I save us from ourselves and save us from Trump,” Lain says. Lain was a guest on New Books in Science Fiction in 2016 to talk about After the Saucers Landed, which was nominated for the Philip K. Dick Award. He is also the publisher of Zero Books, which specializes in books about philosophy and political theory. A student of philosophy, Lain was partially inspired to write Bash Bash Revolution by philosopher and Marxist Guy Debord who argued in The Society of the Spectacle that images had become the ultimate commodity. “I thought ‘What if you really took that to heart?’” Lain says. “This concept of the singularity and being absorbed into virtual reality and video games and augmented video games is what I came up with—what the society of the spectacle would really be.” Another inspiration for the book was his frustration with always losing to his son at video games. “I wanted to tell a story about a middle-aged father who could beat his son at Super Smash Bros. Melee,” he says. Rob Wolf is the author of The Alternate Universe. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

When Annie Rushton heads west to keep house for her older brother on his Montana homestead, she expects to leave marriage and motherhood behind her. After all, the husband she walked out on at twenty, after the birth of their daughter sent her into a spiral of panic and depression, has divorced her and forbidden contact with their baby, citing fears for his own and the child’s safety. In 1911, a record like that should keep most men at bay. Adam Fielding also has no interest in marriage, but he’s drawn to Annie from the start, despite the frequent clashes of will between them. When her older brother sells them the homestead and skips town, Annie and Adam settle into a partnership that is as economically successful as it is romantic. But fate intervenes to prevent them from having a child, and with each disaster the return of Annie’s depression drives her farther apart from the husband she loves. In a world that understands psychological conditions as lapses in morality, the judgment passed on Annie is harsh and unyielding. Yet somehow she manages to hold on to hope. Ellen Notbohm’s thought-provoking and beautifully written debut novel, The River by Starlight (She Writes Press, 2018), dives into the depths of family life and individual psychosis and uncovers a cast of complex and compelling characters that will keep you entranced to the last page. C. P. Lesley is the author of seven novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, The Swan Princess, and The Vermilion Bird), a historical fiction series set in 1530s Russia, during the childhood of Ivan the Terrible. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Patricia Leavy and Victoria Scotti‘s Low-Fat Love Stories (Sense Publishers, 2017) is a collection of short stories and artistic portraits focusing on women’s dissatisfying relationships. What makes these stories different from conventional fictions is that all the stories are based on extensive interviews with women of different ages and from different racial, ethnic, and cultural backgrounds across the United States. In the book, readers will read extremely candid and moving personal stories, identity struggles, and painstaking self-reflection. As a product of art-based research, the book also critically interrogates how popular culture shapes women’s self-perception, influences their understanding of romantic relationship, and eventually contributes to their sufferings of low self-esteem, depression, or anxiety. A methodological conversation and an interview guide are attached at the end of the book to reflect on the rigorous research that the authors have conducted. The book is very versatile in the sense that it will attract not only social science researchers but also general audience. In addition, the authors provide several innovative approaches to engage with the stories and encourage course instructors from various social science disciplines to use this book as teaching material. Pengfei Zhao holds a doctoral degree in Inquiry Methodology from Indiana University-Bloomington. Among her research interests are qualitative research methodology, youth culture, identity formation, and comparative sociological and educational studies. She is currently working on a book manuscript studying the coming of age experience of rural Chinese youth during and right after the Cultural Revolution.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Jack Chen is a drug pirate, illegally fabricating patented pharmaceuticals in an underground lab. But when she discovers a deadly flaw in Big Pharma’s new productivity pill, corporate bosses hire a team of assassins to silence her. Annalee Newitz’s novel Autonomous (Tor, 2017) isn’t only a fast-paced cat-and-mouse story. It’s also an exploration of the rapaciousness of capitalism and its ability to turn everything, even freedom, into a commodity. Her first novel, Autonomous has been widely acclaimed, receiving Nebula and Lambda Literary award nominations. “I’ve written a lot about patents and how they affect innovation and how companies use patents to screw customers over,” Newitz, a journalist and founder of io9, says in her New Books interview with Rob Wolf. In Autonomous, she highlights how “something dry and wonky like patent law has a life or death hold over us.” Newitz also turns the idea of robot rebellion on its head. “I wanted to tweak this idea that is such a big cliché in science fiction about a society that builds a bunch of robots to be their slaves, and these slave robots rise up and enslave humanity.” In Autonomous, which is set 150 years in the future, robots and human are in the same boat—both subject to servitude. “As soon as we can quantify something that we’re saying is equivalent to human life—we’re saying these robots are human equivalents—it’s super easy legally and ethically … to put a dollar value on human life.” And when that happens, “everyone will end up being enslaved,” she says. Rob Wolf is the author of The Alternate Universe. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

We all know baseball as one of America’s fondest pastimes, but did you know there’s a version of the sport designed specifically for the blind? It’s called Beep Ball, and the players, with the exception of the pitcher, are all visually impaired. Founded by the National Beep Ball Association in 1976, there are now more than 200 teams in the United States alone with interest in the sport growing quickly among players abroad. For his debut book of creative nonfiction, Beep: Inside the Unseen World of Baseball for the Blind (Swallow Press, 2018), author David Wanczyk spent over three years interviewing dozens of Beep baseball players, coaches, volunteers, and fans in order to create a living profile of the sport and many of its star athletes. A diehard baseball fan himself, Wanczyk takes the reader deep into the culture of Beep Ball, traveling across the United States, Taiwan, and the Dominican Republic, to follow teams like the Austin Blackhawks, the Athens Timberwolves, the Indy Thunder, the Boston Renegades and Taiwan Homerun for a chance to hear their stories and share their passion for the sport with the world in one of the first-ever books written on contemporary Beep baseball. Here to discuss Beep on the New Books Network today, please welcome David Wanczyk. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Paris has a way of resisting history, absorbing change gradually instead of being transformed by it. The same can be said of Hallie, the protagonist of E.J. Swift’s Paris Adrift (Solaris, 2018), who is compelled by the threat of a future apocalypse to travel through time to key moments in history—and manages to do so without losing herself. Swift’s novel is both a suspenseful chrono-adventure and a portrait of Hallie, a young British woman running from an unhappy life. When she gets a job in current-day Paris as a waitress at a bar, she makes intense friendships among the staff of hard-drinking ex-pats. She also finds a time portal in the keg room. Hallie’s brilliance is in her economy of effort. For instance, with a simple suggestion whispered in the ear of architect Paul Abadie, she prevents the construction of Paris’ famous Sacré-Cœur Basilica (and thereby carries out an important leg of her mission). In a delightful twist, the church becomes a massive green windmill, turning into a symbol for an “Occupy Wall Street”-like movement that will give  Marine Le Pen’s right-wing nationalist party a run for its money (and require another corrective intervention from Hallie). It’s easy to imagine that traveling through time would become addictive, and Swift explores that possibility, turning the portal into an organic consciousness that literally seduces Hallie, as similar portals have done with other travelers, literally turning them into disembodied spirits. Paris Adrift becomes not just a race to save humanity but a struggle to save Hallie from the portal’s seductions. In her conversation with Rob Wolf and Aubrey Fox, Swift discusses, among other things, her personal connection to Paris and the city’s allure, the challenge of making the plot of a time-travel story hold together, the power of small gestures to change history, and some of the authors she admires. Rob Wolf is the author of The Alternate Universe. Aubrey Fox is the author of Trial and Error in Criminal Justice Reform: Learning from Failure. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Frances Ellen Watkins Harper’s nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper’s writings and highlighting her important contributions to African American literature and history. Koritha Mitchell’s new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper’s life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell’s foregrounding of Watkins Harper makes a crucial intervention in redressing the skewed narrative. Mitchell draws on the most recent scholarship and archival discoveries to provide a clearer picture of Watkins Harper and the importance of her novel then and now. Koritha Mitchell specializes in African American literature, racial violence throughout U.S. literature and contemporary culture, and black drama and performance. She examines how texts, both written and performed, have helped terrorized families and communities survive and thrive. Her study Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 (University of Illinois Press, 2011) won book awards from the American Theatre and Drama Society and from the Society for the Study of American Women Writers. Her essay “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie” appears in the March 2012 issue of American Quarterly and her Callaloo journal article “Love in Action” draws parallels between racial violence at the last turn of the century and anti-LGBT violence today. She recently completed a book manuscript, “From Slave Cabins to the White House: Homemade Citizenship in African American Culture.” For the most comprehensive picture of her current projects and activities, please visit Mitchell’s website. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Resistance in the Francophone World, examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

There is something almost sweetly Victorian about the new fantasy novel, The Sisters Mederos (Angry Robot, 2018), by Patrice Sarath, which concerns two young sisters enduring misfortune. The opening chapters reminded me of the childhood classic, The Little Princess, published in 1905. Yvienne and her magical sister, Tesera, daughters of a once rich trading family, are sent to a school for paupers, when their family is accused by creditors hungry for their downfall. In the traditional of some YA novels, Yvienne and Tesera’s parents are inept and depressed, and their uncle is a foolish lecher, forcing the young girls to shoulder responsibility for each other. Into their miserable lives comes Mathilde, a cheery housekeeper who knows how to do much on a shoestring budget, and is capable of putting Uncle Samwell in his place. This charming novel avoids disturbing and tragic scenes: the worst that happens is that one heroine is forced to serve some merchants dinner while wearing a maid’s uniform and being mocked. Amorous adventures are discreetly referred to as sparking, without more graphic details. We may have come up with the analogue of the cozy mystery here; a tale gripping enough to keep you reading at night, and hoping for exposure of the villain, but a story that takes place in a familiar and nostalgic setting, even if it is an imaginary one. Gabrielle Mathieu is the author of the historical fantasy Falcon series (The Falcon Flies Alone, and the upcoming The Falcon Strikes.) She blogs about travel and her books at http://gabriellemathieu.com/. You can also follow her on Twitter to get updates about new podcasts and more @GabrielleAuthor. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

At six, Esme Wells has never attended school, but she has already learned how to take care of her father: accompany him to the racetrack, load up on hot dogs when asked, and keep an eye open for stray tickets that may turn out to be winning bets. When not watching the horses or accompanying her father to pawnshops to pay for his habit, more than once with his wife’s wedding ring, Esme hangs around the Hollywood back lots where her mother, Dina, seeks a screen test and stardom while dancing in Busby Berkeley musicals. But Esme has dreams of her own. After her father’s criminal ties take them both to Las Vegas, still little more than a blip on the map, and she makes the acquaintance of the gangster Bugsy Siegel, Esme uses her talents as a performer and her considerable female charms to catapult her into a career as a showgirl, gangster’s moll, and burlesque dancer. In this amoral universe, where the only unforgivable crime is to steal from the bosses, Esme struggles to find happiness while protecting her father from the consequences of his own shortsightedness. In The Magnificent Esme Wells (Harper, 2018) Adrienne Sharp’s richly evocative prose pulls us into the sun-drenched, money-hungry world of Hollywood and Las Vegas in the 1930s and 1940s, with all its heroes, villains, and people just trying to get by. The consequences of the resulting clashes of personalities and ambitions will haunt you for days. C. P. Lesley is the author of seven novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, The Swan Princess, and The Vermilion Bird), a historical fiction series set in 1530s Russia, during the childhood of Ivan the Terrible. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Rob Wolf interviews Mur Lafferty about Six Wakes (Orbit, 2017), her novel about murdered clones that received nods for this year’s Philip K. Dick and Nebula awards—and, after the interview was recorded, the Hugo Award as well. Lafferty is no stranger to awards, having won the John W. Campbell Award for Best New Writer in 2013. She has been podcasting since 2004, using the medium to serialize her fiction and host the shows I Should Be Writing and Ditch Diggers, the latter of which was also nominated this year for a Hugo in the Fancast category. Lafferty talks about cloning laws, the risks of reading an unfinished novel in public, the lessons she learned from Agatha Christie, and the thrill of having her work nominated for science fiction’s most prestigious prizes. Rob Wolf is the author of The Alternate Universe. He worked for a decade as a journalist, writing on a wide range of topics from science to justice reform. He serves as director of communications at a think tank in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature