New Books in Literature

The massive corporation at the center of Eliot Peper’s Analog trilogy, which he completed last month with the publication of Breach (47North, 2019) is radically different from most science fictional companies. It aspires to do good.The growth of Commonwealth into a benevolent behemoth is chronicled in the series’ first two novels, Bandwidth and Borderless (which Peper discussed on the New Books Network last fall.) By the end of Borderless, Commonwealth, which controls the near-future version of the internet, has become its own sovereign entity, one whose ownership of the “feed” has given it enough soft power to force nations—through a clause in its terms of service—to implement an international carbon tax.Breach opens 10 years later. By this point, Commonwealth has instituted open borders and replaced national currencies with “feed credits” (if that sounds implausible, see Facebook’s recently unveiled plans to create its own digital currency, Libra). Commonwealth is now considering implementing something that one of the company’s loudest critics, billionaire Lowell Harding, is willing to kill to prevent: progressive membership fees—essentially a wealth tax—that will charge users to access the feed in proportion to their net worth, with profits invested in infrastructure for the poor.Harding calls the plan “worse than the French Revolution” and “f**king Piketty on algorithmic steroids!”Peper brings back the characters from the first two books, giving a star turn to Emily Kim, a hacker turned MMA fighter who has gone into hiding after earlier misdeeds. Between suspenseful fight scenes, characters grapple with heady topics like economic inequality, corporate responsibility and national governance.There’s a message in Peper’s books for today’s internet giants. The companies “that have gained a lot of power in society,” Peper says, “need to look in the mirror and think about how they should actually be making decisions … that will actually result in a future that people want to live in for the long term not just for the next quarterly report.”Rob Wolf is the author of The Alternate Universe and The Escape. He worked for many years as a journalist, writing on a wide range of topics from science to justice reform, and now serves as director of communications for a think tank in New York City. Read his blog or follow him on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Hoaxes! Jokes! Farces and fun! Cristopher Rea's China’s Chaplin (Cornell University Press, 2019) introduces the imagination of Xu Zhuodai (1880–1958), a comic dynamo who made Shanghai laugh through the tumultuous decades of the pre-Mao era. Xu was a popular and prolific literary humorist who styled himself variously as Master of the Broken Chamberpot Studio, Dr. Split-Crotch Pants, Dr. Hairy Li, and Old Man Soy Sauce. He was also an entrepreneur who founded gymnastics academies, theater troupes, film companies, magazines, and a home condiments business. While pursuing this varied career, Xu Zhuodai made a name for himself as a “Charlie Chaplin of the East.” He wrote and acted in stage comedies and slapstick films, compiled joke books, penned humorous advice columns, dabbled in parodic verse, and wrote innumerable works of comic fiction. China’s Chaplin contains a selection of Xu’s best stories and stage plays (plus a smattering of jokes) that will answer the questions that keep you up at night. What is a father’s duty when he and his son are courting the same prostitute? What ingenious method might save the world from economic crisis after a world war? Who is Shanghai’s most outrageous grandmother? What is the best revenge against plagiarists, thieves, landlords, or spouses? And why should you never, never, never pull a hair from a horse’s tail?Victoria Oana Lupascu is a PhD candidate in dual-title doctoral program in Comparative Literature and Asian Studies at the Pennsylvania State University. Her areas of interest include 20th and 21st Chinese literature and visual art, medical humanities and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today, I’m talking with Nina Boutsikaris. Her new book is called I’m Trying to Tell You I’m Sorry: An Intimacy Triptych (Black Lawrence Press, 2019). And if you’ve ever said those words—I’m trying to tell you I’m sorry—you know they usually come at some crisis point in a conversation that’s already underway. A misunderstanding has happened or some confusion has started to mount, and so you try to reset and make things clear: “Hey look, I’m trying to apologize!” Boutsikaris makes this gesture throughout her book, yet the “you” to whom she’s speaking is not as simple as any one person. She speaks to friends and former lovers, artists and theorists, members of her own family, and, ultimately, to her younger self. Nor is she carrying on one conversation. She’s trying to describe what it means to be a self, a female self, one living through illness, loneliness, desire, and the aspiration to make art. And finally, her book is no simple apology. It’s more of a reckoning, an attempt to understand who we are in our brokenness and in our hopes. So if it is an apology, it’s an apology in the classic sense of the genre, like the one Socrates gives in Plato’s famous dialogue where he defends the value of philosophy or like the apology that Sir Philip Sydney gives in defense of poetry. In this classic sense, an apology is not merely apologizing, merely saying, “I’m sorry.” It’s offering a full account. It’s showing why, whatever the charge, whatever the crime, the case is more complex than those charging you could ever imagine and that not only are you perhaps not guilty and not only are those who accuse you perhaps not innocent, but also that guilt and innocence are too simple as categories to make sense of our complex and messy lives. It takes an apology like Boutsikaris gives to reveal that complexity and help us live with it and in it rather than reduce it to some simple—and false—truth.Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Kate Harris — writer, scientist, and extreme cyclist – talks about the trip she made with her friend Mel, tracing Marco Polo’s route across Central Asia and Tibet. The journey is the subject of Harris’s book, Lands of Lost Borders: a Journey on the Silk Road (Dey Street Books, 2019).Lands of Lost Borders, winner of the 2018 Banff Adventure Travel Award and a 2018 Nautilus Award, is the chronicle of Harris’s odyssey and an exploration of the importance of breaking the boundaries we set ourselves; an examination of the stories borders tell, and the restrictions they place on nature and humanity; and a meditation on the existential need to explore—the essential longing to discover what in the universe we are doing here.Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent (Oxford University Press, 2016). He's also the host of the podcast Time to Eat the Dogs, a weekly podcast about science, history, and exploration. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

John Sibley Williams’ As One Fire Consumes Another (Orison Books, 2019) presents a familiar world full of burnings carried out on both the grand and intimate scale. The newspaper-like columns of prose poetry provide a social critique of the violent side of American culture centered within the boundaries of self and family. Although an apocalyptic tension permeates throughout, these poems envision the kind of fires that not only provide destruction but also illuminate a spark of hope.“Dust rises from the road & there istoo much curve to resolve the edgesof embankment & asphalt. Backfirekeeps the pastureland carefully lit.Static keeps us wanting for anotherkind of song.”— from “Story that Begins and Ends with Burning”John Sibley Williams is the author of As One Fire Consumes Another (which won the Orison Poetry Prize in 2019 and which we’ll be talking about today). He is also the author Skin Memory (which won the Backwaters Prize and is forthcoming from University of Nebraska Press also in 2019) as well as Disinheritance and Controlled Hallucinations. A nineteen-time Pushcart nominee, John is the winner of numerous awards, including the Wabash Prize for Poetry, Philip Booth Award, American Literary Review Poetry Contest, Phyllis Smart-Young Prize, Nancy D. Hargrove Editors' Prize, Confrontation Poetry Prize, and Laux/Millar Prize. He serves as editor of The Inflectionist Review and works as a literary agent. Previous publishing credits include: The Yale Review, Midwest Quarterly, Southern Review, Sycamore Review, Prairie Schooner, and other journals and various anthologies. He lives in Portland, Oregon.Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems created from the pages of Trader Joe’s Fearless Flyers, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Learn more at: www.andreablythe.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Since its inception in 2017, the viral #MeToo movement has called more cultural attention to abusive behavior, creating a much-needed public space for women to speak up about the violence they have endured at the hands of abusers, and for women to speak more openly about their own ambitions, dreams, and desires. For the first time in history, there is a platform for women to speak, and—most importantly—to be heard. In 2019, we can add another voice to this ongoing conversation: Reema Zaman’s radical assertion that “[t]o speak is a revolution.”Reema Zaman’s bold debut book, I Am Yours: A Shared Memoir (Amberjack, 2019) details what happens when women are silenced by the patriarchy—and what it means to find the power inherent in one’s own voice. As a Bengali woman who immigrated to New York City to pursue her dream of becoming a stage actress, Zaman portrays herself as both driven and fearless, despite the many hardships she endures as a young woman in the city. From navigating toxic relationships with men in the industry to finding the courage to leave an abusive marriage, Zaman touches on both the struggles and beauty of one woman’s journey towards speaking her truth.Today on New Books in Literature, join us as we sit down with Reema Zaman to learn more about her debut, I Am Yours: A Shared Memoir, available now from Amberjack Publishing.Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Too often keeping patients alive gets in the way of helping them as they approach death. Dr. Pauline Chen shares her experiences as a medical student and transplant surgeon and how they’ve shaped the way she practices medicine.Chen is the author of Final Exam: A Surgeon’s Reflections on Mortality (Vintage, 2008) and the New York Times column “Doctor and Patient.” Her essays have appeared in The Washington Post, The New York Times Magazine, and The New York Times Book Review. Her work has been nominated for a National Magazine Award.Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent (Oxford University Press, 2016). He's also the host of the podcast Time to Eat the Dogs, a weekly podcast about science, history, and exploration.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Vandana Singh has made a career of studying both hard science and the far corners of creativity. It’s no surprise then that Ambiguity Machines and Other Stories (Small Beer Press, 2018), which was nominated for a Philip K. Dick Award, reflects a fluency in multiple languages—not just English and Hindi, but the idioms of both particle physics and fantastical narratives that reach far beyond what science can (as of yet, at least) describe.“One of the things that really bothers me about how we think about the world is that we split it up into all these different disciplines and fields that have impenetrable walls between them, and one of the reasons I love … writing science fiction is that it allows us to make those walls porous,” Singh says.A reader might think that an expert in both particle physics and climate science might hesitate to write stories that explore impossibilities like time travel or machines “that cannot exist because they violate the known laws of reality” (the subject of the collection’s eponymous tale). But Singh embraces paradox and the simple truth that there’s still much about the universe that we don’t understand.Scientists are supposed to be objective and “check their emotions at the door,” she says. But it “isn't that simple because, after all, the paradox is that we are a part of the universe, studying the universe. And so how can we claim full objectivity?” Singh feels the only way to be authentic is “to acknowledge who I am as a human, as this little splinter of the universe conversing with another little splinter of the universe.”Several of the stories’ characters are, like Singh, female scientists, and their struggles to be taken seriously reflect real-world conditions.“In the physical sciences, it's still pretty tough for women,” says Singh, an assistant professor of physics at Framingham State University. “We have plenty of gender issues in India but the assumption that women can't do as well or don’t have the ability … is not that strong or strident in India.” In the U.S., however, “the negative micro-messaging and sometimes macro-messaging I've come across has been ‘Well a woman, so what do you know?’ You’re automatically assumed to be more touchy-feely and … you must not be as good at science, which is utterly absurd.”For Singh, physics and storytelling are intrinsically linked. “The way that I think about physics is really influenced by the way I think about story, and they're different but they talk to each other,” she says. For instance, she’s used fiction “to explore concepts that help me also conceptualize climate science for the classroom and beyond, and think of or reframe different ways of thinking about climate change and what's happening to our world. … I guess one analogy I could make is binocular vision. I have two ways of seeing the world, and they talk to each other so you get more depth.”Rob Wolf is the author of The Khronos Chronicles. He worked for a decade as a journalist and now serves as director of communications at a non-profit dedicated to justice reform. Follow him on Twitter: @RobWolfBooks. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Sutra is the Sanskrit name for a short spiritual teaching, and it comes from the same root as the English word suture, or stitch. This story of motherhood as a path to awakening is, says yoga and meditation teacher Anne Cushman, “an homage to the long threads that run through all human lives, stitching up what’s shredded in our hearts.”In this interview, Anne Cushman, a longtime yoga and dharma teacher, talks about her new book The Mama Sutra: A Story of Love, Loss, and the Path of Motherhood(Shambala, 2019).  This thoughtful book spans an eighteen-year journey through motherhood as a spiritual practice, chronicling Cushman’s first pregnancy, her daughter's tragic stillbirth, the joyful birth of her son, the “home retreat” of early motherhood, the challenges of parenthood, the diagnosis and gifts of her son’s developmental differences, the meltdown of her nuclear family and its reconfiguration into a new and joyful form, and more. This is a powerful story of the rawness and beauty of life.Anne Cushman is a creative writer and mindfulness meditation teacher whose work focuses on the intersection between spiritual practice and the wild, messy, heartbreaking, and hilarious details of ordinary life.  She is the author of Enlightenment for Idiots, From Here to Nirvana, and the meditative yoga program Moving Into Meditation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

A series of stories ranging from two-page narrative excerpts to 90+ page novellas, The Handsome Monk and Other Stories (Columbia University Press, 2019), translated by Columbia PhD student Christopher Peacock, with a contribution from Lauran Hartley, masterfully introduces the work of contemporary Tibetan author Tsering Döndrup. One of the most popular and critically acclaimed figures of Modern Tibetan literature of the post-Mao period, Tsering Döndrup is known for his earthy humor and his unflinchingly satirical portrayals of Tibetan life. Resisting the urge to romanticize Tibetan life, Tsering Döndrup’s stories relentlessly satirize both those in power—including clerics and government officials—and those without. Stories describe emergent social problems like gambling and long-standing folk institutions of violent feuds alike. The narratives compiled in The Handsome Monk could only be written by someone intimately familiar with Tibetan life over the last fifty years, and by placing many of his stories together, this volume evocatively portrays resilience and the problems of Tibetan culture.Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature