New Books in Literature

Today I interviewed Stephen Jenkinson. He’s not only an author, an activist, a musician, and the founder of a school, but also an inspired etymologist, a spiritual trickster, and a mythopoetic storyteller cracking sticks and tossing them into a low fire as the spirits in the embers rise with his words. He’s a sorcerer of sorts who disenchants us from some of our most habitual and destructive beliefs about what it means to live and to die, to age and—in the title of his latest book—to Come of Age (North Atlantic Books, 2018). The subtitle of his book is The Case for Elderhood in a Time of Trouble, and I spoke to Stephen at a moment when our most imminent trouble seems to be the global pandemic of the coronavirus, one that—on the date of our interview, March 18, 2020—appears as though it will only grow worse and more deadly here in North America and around the globe. Yet Stephen puts this acute trouble into a larger, longer, and ultimately more troubling perspective. He leads us, as he does in his book, into the act of what he calls wondering, “without recourse to certainty or comfort” but with, perhaps the possibility of emerging more clear-eyed and attentive to the world in front of us and what it asks of our living and our dying and our time together.Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In military thrillers, many authors attempt to create plausible conflicts and many come up short, but James Rosone and Miranda Watson's Rigged (Front Line ,2019), Book one of "The Falling Empire Series," is a chilling what if scenario that is all too plausible. Rigged paints a tale that appears to be ripped from tomorrow's headline.A former military interrogator and military intelligence specialist, Rosone’s experience is evident in every page of the book, from portraying the interrogation of high value threats to situation room sequences full of suspense. In Rigged, an international shadow organization’s plot to unseat a controversial American President unfolds with disastrous consequences.Rosone and Watson weave a tale across years to assemble a world on the edge of the next great conflict. Invoking striking imagery and heart pounding action, Rigged is full of accounts that paint with accuracy the events of a plausible global crisis. As the truth of foreign involvement in American elections lands on headlines everywhere, Rigged is a timely thriller that places the world dead center of our worst nightmares. Coupled with a United Nations suddenly in the grips of global conspirators and insidiously emboldened with a military of its own, Rosone and Watson brew up a master-class in military thrillers unmatched since Tom Clancy’s The Bear and the Dragon. The rest of "The Falling Empire Series" pushes America deeper into that nightmare. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Ricardo de Avila would have followed Coronado to the ends of the earth. Instead, Ricardo found the end of his mortal life, and a new one, as a renegade vampire.For over five hundred years, Ricardo has upset the established order. He has protected his found family from marauding demons, teamed up with a legendary gunslinger, appointed himself the Master of Denver, and called upon a church buried under the Vatican. He has tended bar and fended off evil werewolves.Carrie Vaughn's new book The Immortal Conquistador (Tachyon Publications, 2020) is a series of interrelated vignettes, as told to the abbot of Saint Lazarus of the Shadows by the vampire Rick d’ Avila. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

As Maya Rodale notes early in this interview, romance novels tend not to get the same respect as other categories of fiction, historical or otherwise. Here, and in her Dangerous Books for Girls, she argues persuasively that this bad reputation is an attempt by life’s insiders to undermine the central message of most romance novels: that outsiders, too, have the right to love, success, and happiness. But the message is nowhere more evident than in her Gilded Age Girls Club series, in which a small group of wealthy women make it their goal in life to support female-run businesses and their staffs.In An Heiress to Remember (Avon Books, 2020), the heroine, Beatrice Goodwin, suffers from no lack of money; her family has plenty of it—enough to insist that their beautiful daughter wed a duke to bring them prestige in society, even though Beatrice has fallen in love with Wes Dalton, one of her father’s employees. At twenty, Beatrice gives in to her parents’ demands, but sixteen years later, she is back in New York, having scandalously divorced her duke. It is 1895, and wives are not supposed to take that kind of initiative.Beatrice finds her family situation much changed. The man she loved has gone on to build a wildly popular department store directly opposite her own, and the combination of his desire for revenge and her brother’s mismanagement has placed the family fortune in jeopardy. But Beatrice has no intention of standing by while Dalton buys her father’s cherished store out from under her and destroys it. She sets out to beat Dalton at his own game, because if anyone knows what women want from a department store, she does. And before long, Dalton has to worry that she may be right.C. P. Lesley is the author of ten novels, including Legends of the Five Directions, a historical fiction series set during the childhood of Ivan the Terrible. Her latest book, Song of the Shaman, appeared in 2020. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In Docile (Tor.com, 2020), the debut novel by K.M. Szpara, people pay off family debts by working as indentured personal assistants to the ultra-wealthy.Tor describes the book as a “science fiction parable about love and sex, wealth and debt, abuse and power.” Szpara describes the book as "really gay." As it turns out, both descriptions are true.Szpara could have kept the story relatively simply by making Docile a tale of exploitation and rebellion, but he isn’t content to portray the wealthy Alex simply as an abusive patron who brainwashes his compliant docile, Elisha. Instead, their relationship is complicated by society’s efforts to make servitude more palatable by providing dociles with rights (like the right to adequate food and medical care, the right to vote, etc.) and a drug (which Elisha scandalously refuses) that helps dociles forget their suffering.Szpara also dares to have Alex and Elisha fall—or at least think they are falling—in love. This raises a host of questions. Who is Alex falling in love with—the real Elisha or the man he’s created through his harsh “training”? Does Elisha have the agency to love after being dominated and manipulated into becoming Alex’s perfect companion?“People say to Elisha ‘maybe you just like this kind of sex because it's the kind of sex you were taught to have. Maybe you just like Alex because he taught you to like him. Maybe you only like playing the piano, or these clothes because Alex gave them to you.’ And then he has to ask himself: ‘But they're the things that I like. Do I have to not like the things that I like because they were thrust upon me?’”Szpara continues: “So many things are thrust upon us by people, by capitalism, by people who are making decisions above us and handing them to us and telling us to like them. At a certain point you just say, ‘Oh hey, I like this, and I accept it. You know, I like this new song by Lady Gaga even though I hear it a thousand times a day, and that's probably why I like it, but I just do. I enjoy listening to it.’ …We don't exist in worlds where we can always make pure and good decisions all the time.”Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I interview Berry Grass, an essayist with a powerful new collection of linked essays called Hall of Waters (Operating System, 2019). Grass’s aim is nothing less than to demythologize the American Midwest. Grass wants us to see something like the true history of the land and the culture from which the Midwest arose, one built on systemic racism, exploitation, marginalization, and violence. At the same time, Grass tries to reckon with what it meant for them to grow up, as Grass puts it, “queer and trans in such a toxic environment.” The result is a book that’s dazzling in its variety and steadfast in its vision: to see clearly how the white dominant culture of the Midwest obscures the land to which it laid claim and the nature of who and what it is, all in the hope of a clearer and truer vision of who we are and how we might, in the end, be accountable to ourselves and one another.Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Eliza Griswold writes in Snow in Rome, "we hate being human,/depleted by absence." In her latest poetry collection, If Men, Then (Farrar, Straus and Giroux, 2020), Griswold grapples with a world that is fracturing at its foundation. In this series of poems, all at once dark. humorous and questioning, the author moves from the familiar to the unjust to hope with a keen eye. She guides readers through a world that at times strips the humanness from our bones with embedded violence and disconnection, but also calls for us to reconnect by reminding us to be a bridge out among the flames.Eliza Griswold is the author of an acclaimed first book of poems, Wideawake Field, as well as The Tenth Parallel: Dispatches from the Fault Line Between Christianity and Islam, which won the 2011 J. Anthony Lukas Book Prize. Her translations of Afghan women’s folk poems, I Am the Beggar of the World, was awarded the 2015 PEN Award for Poetry in Translation. She has held fellowships from the New America Foundation, the Guggenheim Foundation, and Harvard University, and in 2010 the American Academy in Rome awarded her the Rome Prize for her poems. Griswold, currently a Distinguished Writer in Residence at New York University, is also the author of Amity and Prosperity: One Family and the Fracturing of America, which was named a New York Times Book Review Notable Book of 2018, one of The Washington Post’s 50 Notable Works of Nonfiction for 2018, and a New York Times Editors’ Choice. She was awarded the Pulitzer Prize in General Nonfiction in 2019.Athena Dixon is a NE Ohio native, poet, essayist, and editor. Her essay collection, The Incredible Shrinking Woman, is forthcoming from Split/Lip Press (2020). Athena is also the author of No God in This Room, a poetry chapbook (Argus House Press). Her poetry is included in The BreakBeat Poets Vol. 2: Black Girl Magic (Haymarket Books). Learn more at www.athenadixon.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Laura Waterman talks about her novel, Starvation Shore (University of Wisconsin Press, 2019), which relies upon memoirs, letters, and diaries to reconstruct the life of the Greely Party as it attempted to survive impossible conditions. Waterman is a climber, conservationist, and author who has written many books with her husband Guy Waterman about mountain history, climbing and environmental ethics. Her memoir Losing the Garden tells the story of her marriage to Guy and his decision in 2000 to end his life on the summit of Mt Lafayette.In the summer of 1881, the twenty-five men of the Lady Franklin Bay Expedition watched their ship sail for home from Discovery Harbor, just 500 miles from the North Pole. Commanded by the ambitious yet underqualified Adolphus W. Greely, this crew represented the first U.S. attempt to engage in scientific study of the Arctic. The frigid landscape offered the promise of great adventure—and unknown dangers. It was an expedition Greely eagerly anticipated long before it began. Standing there on that sunny summer afternoon, no one could have known how much would go wrong.Drawing upon historic records, diaries, and letters of the men who inhabited the makeshift shelter they called Camp Clay, Laura Waterman reimagines the true story of polar explorers fighting for their lives and their sanity under dehumanizing conditions. This gripping, tragic tale of hunger, fear, and hope is told through the eyes of men at their worst—and most desperate—moments.Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent (Oxford University Press, 2016). He's also the host of the podcast Time to Eat the Dogs, a weekly podcast about science, history, and exploration. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In Family Papers: A Sephardic Journey Through the Twentieth Century (Farrar, Straus and Giroux, 2019), Sarah Abrevaya Stein weaves a narrative tapestry whose threads are drawn from the archives of one Sephardic family, with roots in the city of Salonica, then in the Ottoman Empire, now Thessaloniki in Greece. The story begins with one of the prominent Jewish citizens of that thriving port city, then follows the family in its dispersion through nine countries across three continents during the most tumultuous and violent years of the twentieth century.This fascinating book is not only a masterful work of archival research but of storytelling. Professor Stein deftly portrays the vivid personalities that comprise the family, even as she teaches valuable lessons about the Sephardic culture in which they were firmly implanted. Professor Stein also ponders important questions about the nature of personal, family, and cultural memories, and the importance of the vanishing art of written correspondence -- and the way history, properly told, can restore and revive buried narratives, and the relationships that gave them life. The result is a masterwork of historical narrative, and a story beautifully told.David Gottlieb, a member of the teaching faculty at Spertus Institute in Chicago, received his PhD in the History of Judaism from the University of Chicago Divinity School in 2018. He is the author of Second Slayings: The Binding of Isaac and the Formation of Jewish Memory (Gorgias Press, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

To catch the people who killed her environmentalist father, the main character of Karl Schroeder’s Stealing Worlds (Tor Books, 2019) disappears into a virtual world of overlapping LARPs—live action role-playing games. But Sura Neelin soon discovers that the LARPs are more than games. They’re also an underground economy that meets players’ needs for food, shelter, services and everything else the non-virtual world also provides.Among the concepts she encounters is the idea that software can provide inanimate objects with self-sovereignty, allowing them to take charge of their own destinies. Sura discovers that self-sovereignty can apply to things like a river or a forest, giving them the ability to advocate for their own health and well-being—essentially putting them on an equal footing with humans who might try to exploit them.For Schroeder, who is both a writer and professional futurist, science fiction can be both entertainment and a laboratory to explore ideas like self-sovereignty. He’s been hired by governments and companies to write fictional scenarios to test the implications of new concepts and technologies. “What stories allow you to do is bring together immense numbers of different ideas and get them all spinning and interacting at the same time without people losing track of what’s going on,” he says in his New Books interview. “You can pile immense amounts of complexity into a narrative and people will understand it intuitively and seamlessly in a way that they will not understand a 400-page report.”Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature