New Books in Literature

Ravi Shankar speaks to managing editor Emily Everett about his essay “The Five-Room Box,” which appears in The Common’s spring issue. In this conversation, Shankar talks about constructing this essay on identity, family, and fitting in from an excerpt of his memoir, Correctional, about his time spent in prison. He also discusses how that time changed the course of his academic work, what it’s like to transition from poet to prose-writer, and the privilege and profiling Asian-Americans experience as the ‘model minority.’Ravi Shankar is a Pushcart Prize-winning poet, translator, and professor. He has published fifteen books, including W.W. Norton’s Language for a New Century, Recent Works Press’s The Many Uses of Mint, and the Muse India Award-winning Tamil translation The Autobiography of a Goddess. He has taught and performed around the world and appeared in such venues as The New York Times, NPR, the BBC, and PBS NewsHour. He received his PhD from the University of Sydney, and his memoir Correctional is out this fall from University of Wisconsin Press.Read his essay in The Common at thecommononline.org/the-five-room-box.Read more about Ravi Shankar and his work at poetravishankar.com.Pre-order his memoir Correctional, out in October, here.The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Poet Ariana Brown searches for new origins in her debut book We Are Owed. (Grieveland Press, 2021). Brown has had over ten years of experience writing, performing, and teaching poetry that struggles towards freedom for all Black peoples. She identifies on her website as a “queer Black Mexican American poet” whose lived experiences within anti-Black cultures and societies have forced her to spin language into liberation. We Are Owed. achieves that goal by centering scenes of Black Mexican American life, history, and feeling. The title is a call to action, a demand, a recognition, a reparation, a reorientation, and a reclamation. Brown ushers in a new grammar that reaches beyond nation and builds from the foundational understanding that colonial and neocolonial nation-states, and the theory of borderlands set forth by Anzaldúa, are limiting to Black peoples.Jonathan Cortez is currently the 2021-2023 César Chávez Postdoctoral Fellow in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Nebula, Locus, and Alex Award-winner P. Djèlí Clark goes full-length for the first time in his dazzling debut novel: A Master of Djinn (Tordotcom, 2021).Cairo, 1912: Though Fatma el-Sha'arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she's certainly not a rookie, especially after preventing the destruction of the universe last summer.So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world forty years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage.Alongside her Ministry colleagues and a familiar person from her past, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city--or face the possibility he could be exactly who he seems...Gabrielle Mathieu is the author of the YA fantasy, Girl of Fire, the first in the Berona’s Quest series, and the historical fantasy Falcon series. You can follow her on Twitter to get updates about new podcasts and more @GabrielleAuthor, or visit her website at gabriellemathieu.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In These Wilds Beyond Our Fences: Letters to My Daughter on Humanity's Search for Home (North Atlantic Books, 2017), leading edge thinker and post-activist Bayo Akomolafe embraces some of the world’s most profound questions through the intimate lens of fatherhood. Creatively using memoir and the epistolary format, Dr. Akomolafe offers an engaging, thought-provoking look at a range of timely subjects, including the myths of modernity, climate change, food systems, and what it means to be human.Dr. Bayo Akomolafe is a writer, lecturer, and public intellectual. He is Executive Director and Chief Curator for The Emergence Network and host of the online writing course “We will dance with Mountains: Writing as a Tool for Emergence.” He is co-author and co-editor of “We Will Tell Our Own Story!” and creator of a new work called “I Coronoavirus, Mother, Monster, Activist,” which is available at bayoakomolafe.net. Dr.Susan Grelock Yusem is an independent researcher trained in depth psychology, with an emphasis on community, liberation, and eco-psychologies. Her work centers around interconnection and encompasses regenerative food systems, the arts and conservation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

A Camera Obscura (Red Hen Press, 2021) by Carl Marcum is a lyrical exploration of external and internal worlds. The heavens described in these poems could be the stars glittering above our heads, the pathways of faith, or the connection between human beings. Playing with scientific understandings of the world, along with the linguistic conventions of the poetic form, A Camera Obscura is a compelling journey that simultaneously drifts through the cosmos while being rooted to the ground beneath our feet.“When the sun rose it was smallerthan in my dream. I had been asleepfor what felt a long time, and wokeconfused and claustrophobic.The texture of the sky still magnetized me,a desert bright day. But the light is streakedlike too much everything pulled to the edgesof a window in storm.”— from “A Science Fiction”Carl Marcum is a Chicano poet from Tucson, Arizona. He is the author of the collection Cue Lazarus, and his poems have appeared in the anthologies The Wind Shifts: New Latino Poetry and Latinx Rising: An Anthology of Latinx Science Fiction & Fantasy. Carl has been awarded fellowships from the National Endowment for the Arts, the Illinois Arts Council, and the Taos Writers Conference. And he has also served as a Canto Mundo Fellow from 2011 to 2015. Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

When her father dies after a drawn-out illness, the unnamed protagonist of Ghost Forest (One World, 2021) wonders how one grieves if a family never talks about feelings. The father is one of Hong Kong’s ‘astronaut’ fathers, who stays there to work after the rest of the family leave before the 1997 handover, when Britain returns the sovereignty of Hong Kong to China. The protagonist turns to her mother and grandmother with questions about customs, religious traditions, and misunderstandings that occurred over the course of her life. Their answers, together with snippets of her own memories, help her understand her own actions. She also begins to understand her parents and why they made the decision to live a world apart for most of the year. And she realizes that even though they didn’t talk about love, it was always there.Pik-Shuen Fung is a Canadian writer and artist living in New York City. She has received fellowships and residencies from the Asian American Writers’ Workshop, Kundiman, the Millay Colony, and Storyknife. She has an MFA in Fine Art from the School of Visual Arts and a BA from Brown University. Ghost Forest is her first book. In her free time, she loves to cook, talk about food, and eat the delicious dishes cooked by her husband, who is a chef.I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb dot com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

This year, transgender liberation is at the forefront of Pride Month discourse, with a staggering number of conservative, religious, and gender critical-backed bills challenging trans people’s rights to use public restrooms, participate in organized sports, and even expect inclusive language at the doctor’s office. These would-be laws seek to legislate and restrict trans identity—especially that of trans children—despite the fact that trans people have always existed and will continue to exist, living lives that sometimes include having children of their own.For trans masculine writer Krys Malcolm Belc, pregnancy taught him more about gender identity and transition than he expected—an embodied experience that ultimately encouraged him to begin Hormone Replacement Therapy. In his stunning experimental debut, The Natural Mother of the Child: A Memoir of Nonbinary Parenthood, Belc uses original photographs and documents to outline the expansion of his family and the surprising revelations of this journey. The result is a can’t-miss book about trans identity and parenthood full of poignancy, humor, and love.Today on the New Books Network, join us as we sit down with Krys Malcolm Belc to learn more about The Natural Mother of the Child, available now from Counterpoint (2021).Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Hello, this is Eric LeMay, a host on the New Books Network. Today I interview Sergio Lopez-Pineiro about his new book, A Glossary of Urban Voids (2020). It's one of the more fascinating books I've encountered in some time. And I say "encountered" because it's not only a book, in the traditional sense of something you read, but also a keen intellectual and aesthetic experience: the very design of the book and its use of the glossary as a form open up exciting ways of thinking and seeing. And this is very much to the point for Lopez-Pineiro, because the urban void about which he writes is a phenomenon that resists definition. It is, in his words, "unspecified and underspecified." And that's exactly what makes it so intriguing. Join me in hearing Lopez-Pineiro show us how some of the most seemingly overlooked and neglected areas of our urban environments may end up being the most crucial for our freedoms and our possibilities. Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In a sense, those of us who love historical fiction live vicariously in the past. Many of us also fantasize about traveling in time—meeting our favorite writers in the flesh, hanging around with royalty, living the aristocratic lifestyle. We tend to forget or understate the very real benefits of the present, amenities we take for granted (indoor plumbing, central heat and air conditioning, refrigeration) and intangibles such as human rights and the presumption of innocence, still implemented in patchwork fashion across the globe.Professor Jessica Randall, modern-day heroine of The Play’s the Thing (TouchPoint Press, 2021), experiences this conundrum firsthand. One evening, while she is doing her best to stay focused on a dreadful amateur production of Shakespeare’s The Merchant of Venice, she allows herself a brief escape—only to end up in an Elizabethan theater, watching an original production of the play with (as she realizes only later) the Bard himself in the role of Shylock. She stumbles out of that setting and back into her seat in the twenty-first-century auditorium, but later that evening, turned somnolent by student essays and one too many glasses of wine, Jessica finds herself trapped in what turns out to be William Shakespeare’s cupboard. When he at last deigns to unlock the door, he informs her that she is the latest among hundreds of screaming Jessicas who have been making his life hell for months.Will assures Jessica that she will soon vanish into the ether and return whence she came. She’s convinced it’s an elaborate dream, because how could it be real? But when dawn arrives, she is still in 1598, Will is asleep on the mattress next to her, and she can hear rats rustling under the filthy straw. Perhaps it’s not a dream after all. At that point, to keep herself sane on the off-chance that she can’t find a way home, Jessica decides she’d better apply her knowledge of the future to clean up Shakespeare, his rooms, and her own act before those rats in the corner give them both bubonic plague.Jessica Barksdale Inclán approaches her main character’s dilemma (there’s a funny story in the interview about how author and character come to have the same first name) with a deliciously light touch. The dialogue sparkles, Jessica’s struggles and flaws never fail to ring true, and the contrast between her unmistakably modern views and Will Shakespeare’s Elizabethan take on life are simultaneously revealing and thought-provoking. If you’re looking for a scientific explanation of time travel (assuming that such a thing exists), you won’t find it here, but the novel is, in every respect, a fun read. It will stay with you long after you reach the end.Jessica Barksdale Inclán's fifteenth novel,The Play’s the Thing, was published by TouchPoint Press in May 2021. Her other novels include the award-winning The Burning Hour as well as Her Daughter’s Eyes, The Matter of Grace, and When You Believe. Her second poetry collection, Grim Honey, came out in April 2021. C. P. Lesley is the author of 11 novels, including Legends of the Five Directions, a historical fiction series set during the childhood of Ivan the Terrible. Her latest book, Song of the Sisters, appeared in January 2021. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

"Your problem is you have a Russian soul," Anna's mother tells her. In 1980, Anna is a naïve UConn senior studying abroad in Moscow at the height of the Cold War-and a second-generation Russian Jew raised on a calamitous family history of abandonment, Czarist-era pogroms, and Soviet-style terror. As Anna dodges date rapists, KGB agents, and smooth-talking black marketeers while navigating an alien culture for the first time, she must come to terms with the aspects of the past that haunt her own life. With its intricate insight into the everyday rhythms of an almost forgotten way of life in Brezhnev's Soviet Union, Forget Russia (Tailwinds Press, 2020) is a disquieting multi-generational epic about coming of age, forgotten history, and the loss of innocence in all of its forms.L. Bordetsky-Williams (aka Lisa Williams) is the author of Forget Russia, published by Tailwinds Press, December 2020 (https://www.forgetrussia.com). She has also published the memoir, Letters to Virginia Woolf, The Artist as Outsider in the Novels of Toni Morrison and Virginia Woolf, and three poetry chapbooks. She is a Professor of Literature at Ramapo College of New Jersey and lives in New York City.Steven Seegel is Professor of Slavic and Eurasian Studies, University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature