RiYL

The legend of McLusky has grown greatly since the the group's initial breakup in 2005. The release of the three-disc Mcluskyism compilation is no doubt reasonable for much of that prolonged success. So, too, are the members' post-McLusky projects, including Future of the Left. Formed by ex-members Andrew Falkous and Jack Egglestone shortly after breakup, the group carried on its tradition of sardonic and melodic noise rock. Falkous and Egglestone reformed McLusky in 2014. The group's second stint is officially longer than its first as of 2024. The group is currently in the midst of an American tour, postponed by two years, due to Falkous' health issues. Here he discusses all of that and more. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

After half-a-decade with Montreal's dreamy synth pop group Tops, Marta Cikojevic took her own turn in the spotlight in 2022. The eponymous debut of her project Marci finds the musician embracing dance music, with one foot planted in yacht rock's golden era. Prior to her time in music, Cikojevic had a flourishing career in modeling that took her around the world, including a long stint in Hong Kong. The musician joins us to discuss finding her voice. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

For a few decades now, it seems like Doug Gillard is everywhere. He's the second longest tenured member of the wildly prolific Guided By Voices, behind frontman, Robert Pollard, having been in and out (mostly in) of the band since the mid-90s. He is also a long-time guitarist for alternative rock stalwarts, Nada Surf, having played with the group since 2010. His work has earned him spots on the linear notes of many of indie rock's biggest names, as he continues playing with a variety of of groups, including the early Beatles homage, Bambi Kino. Transcription available here. Hosted on Acast. See acast.com/privacy for more information.

On 2022’s self-titled debut, BLKBOK enlisted poet (and English teacher) Lauren Delaphena to record spoken work tracks, which served to break up instrumental tracks. For the follow up, Charles Wilson III gave the job to his therapist, Dr. Felicia Thomas. Plenty of albums can be described as “deeply personal,” but in that respect, 9 is on another level. The neo-classical piano tracks also serve as a homage to high school civil rights, the Little Rock Nine. Wilson joins us to discuss the story behind the album and keeping classical music fresh for another century. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

By the time Roaming arrived last year, it had been nearly a decade since This One Summer, the last collaboration between cousins Jillian and Mariko Tamaki. The comic was their second joint project, follow 2008's award-winning debut, Skim. This One Summer won the pair an Eisner, Ignatz and Coldecott, before running afoul of overzealous censorship boards, due in part to its compassionate and humane approach to writing LGBTQ youths. Targeted at a YA audience, Roaming's cast is older, but the book similarly approaches a budding queer relationship, as three college aged woman travel from Canadian to New York City for a whirlwind trip. Hosted on Acast. See acast.com/privacy for more information.

World records can be tricky things. Rules enforced by governing bodies can disqualify potential contenders. While there was no likelihood of enshrinement at the finish line, Pocket Vinyl went for it nevertheless and got their own book in the process. How to Completely Lose Your Mind finds bandmates and husband/wife duo Elizabeth Jancewicz and Eric Stevenson racing to finish a tour of 50 states in 45 days. Jancewicz joins us to discuss the book, tour and painting in front of a live crowd. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

There's no one quite like Gogol Bordello. The band has cultivated a wildly joyful mix of Romani and Ukrainian music, crossed with punk, polka and any other genre that might suitable serve the chaos. Eugene Hütz stands in the eye of the storm, as frontman and ringleader. Growing up in Ukraine studying English language punk and folk, Hütz and family would move across the content to Poland, Hungary, Austria and Italy as political refugees. In the early-90s, the band settled in the U.S. By the end of the decade, Gogol Bordello began in earnest in Manhattan's Lower East Side. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

By her early 20s, Veronica Swift was a jazz veteran. The daughter of musicians (pianist Hod O'Brien and singer Stephanie Nakasian), she recorded her debut at age nine. Swift’s career has taken its share of turns, including a rock opera in which she played a killer nun, composed while studying music at the University of Miami. Last year’s self-titled LP presents yet another side of the musician, as she marries her love of rock with her jazz bonafides. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

Place invariably has a profound impact on the art we make. Immigration melds cultures and creative output, a phenomenon embodied by musical cross pollination. Movement, which began its second season this year, explores the lives and works of immigrant musicians. It’s a subject that is near and dear to the podcast’s host, Meklit Hadero, whose music marries influences from her American home and Ethiopian birthplace. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

As day jobs go, one could do a lot worse than composer. Classically trained at Yale, Ellis Ludwig-Leone spends much of his time writing music for institutions including the New York City Ballet. By night, he’s the principal songwriter and ostensible leader of San Fermin, whose indie-inclined chamber pop has earned a steady following and critical acclaim for more than a decade. Next month, the will release Arms, a rawer, more immediate album dealing with – among other topics – art and the end of relationships. Ludwig-Leone joined us to discuss the two sides of his songwriting life. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.